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Home BLOGS Dot Forum Dot Forum: The Exhibition

Dot Forum: The Exhibition
Written by Julian Duron   
Thursday, 30 April 2009 04:21
Julian opens up the forum to discuss the ins and outs of the exhibition and how artists like David Ellis kill it.
Hello again, it's Julian with another FECAL FACE DOT FORUM segment. Thanks everyone who read, commented and/or emailed me about the last post regarding Visual Culture and New Genre Art. Welcome all new readers! I apologize about the month passed, but I really want people to dig into this one so feel free to send any sort of input. This month is all about formalities of the exhibition and the art of showing art. I will once again share images that display exemplary work pertaining to the subject, feature one artist and ask that everyone join in on the conversation, comment, share thoughts and avoid anonymity!

If you see an image in this post that belongs to you please contact julian[at]fecalface.com

bjorn1.jpg

bjorn2.jpg
Bjørn Melhus, No sunshine (top), 1997, and The Oral Thing, 2001, Film Stills

The Exhibition

The gallery could be a number of different locations or spaces. White wall, projection, outdoor, museum or living room salon, certain formalities and considerations regarding the exhibition are important for validity. Validity to who? And why should I care? I'm speaking mainly of those concerned with exhibiting a professional and/or marketable collection of work. In other words, it is the curator's or sometimes artist's responsibility to ensure every aspect of their environment and presentation has been considered. On the other hand, developing contemporary standards for what an exhibition can be is always exciting as well. Take this with a grain of salt.

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Gregory de la Haba, Equus Maximus, 2009

Who, what, when, where, are some basic concerns, which I have seen blundered in the past, but also deliberation of every physical aspect with regard to the look/feel and exhibiting of your work. In short, take responsibility for your show! Be prepared to answer questions, take criticisms, and talk about your work. "How is this exhibition going to affect every human sense?" is a good question to ask yourself, even if it seems irrelevant. What will be seen? What do you want the visual focus to be? What will everything look like including the art, floors, walls, windows, layout, and light? Also, does the finish of your work reflect the aesthetic of your show space? Look at your work from every angle for any possible "distractions". Is your work ready to hang? How will it feel? What is the temperature? Is the overall tactile feeling of your space and visual focus discomforting? Do you want that? What will your show sound like besides a crowd of people talking about your work (if you're lucky)? Music, DJs, bands - will these noises pertain to or enhance the look and feel of your show, or will it detract? Finally taste and smell - beer, wine, treats, aroma, do your pieces smell like fresh aerosol, polyurethanes or... shit? Now obviously some of these considerations may be out of your control or irrelevant, but I've walked into a gallery and seen everyone holding they're noses and watched a guy drop to the floor from huffing paint fumes, which makes photos of the show really great! I can see it now, New York Post cover "STUPID ART man dies".

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AJ Fosic & Andrew Schoultz, New Ancient Structures, 2009

With all things considered (thank you Robert Siegel), what else can we contemplate and what is our purpose for the exhibition? Obviously selling art is not always the point. Hey you could require a $10 "cover charge" to fund your next project or pay the ‘ol studio rent... if you want the entire city hating on you. I can see how considerations mentioned above may not be crucial, but what is your show, event, installation, art parade etc. about? Do you know? Is it relevant to your actual intentions and will anyone care?

folkert.jpg
Folkert De jong, Early Years, 2008

About once (maybe twice) a month around this great land of ours I walk into a gallery or show space completely saturated from floor to ceiling in junk. Dim lit shabby wood structures draped in patterned cloth with remnants of old Americana scattered everywhere. Sticks wrapped in string, felt, Christmas lights, feathers, beads, old pictures, unaltered found objects mashed together in piles with hundreds of pieces rendered in collage and ball point pen lining every available surface. On top of the clutter there is always some sort of accompanying aroma that is somewhere between thrift store, musty barn animals, leather and human sweat. Did I mention that the opening is from 7 to 3 AM (or whenever) and the ultimate bonus, 4 bands playing music that all sort of sound like Japanther or something with an accordion? Naturally in between bands there's someone spinning records of like the most crucial songs ever! I see your flyer that says "Art Show" or "FREE BOOZE!" (Thanks for those by the way). I read your artists statements. I see the prices, which I admit are extremely reasonable, but I'm definitely not spending 10 bucks on a drawing rendered in lipstick and napkin mounted on a shipping crate. Where's the quality control?

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Damien Hirst, School: The Archeology of Lost Desires, 2008

Is this an exhibition or a party? Hey, for me anything goes and I like to have fun, but with consideration these circuses are hardly "art exhibitions" unless all of the bells n' whistles somehow pertain to the theme... I guess. Will someone please continue this thought?

Artist Examples: David Ellis

ellis.jpg
Still from motion painting

Many of you are familiar with David Ellis' work. Interestingly enough I'm not really that into his paintings (so sue me) but they are brilliant none-the-less and of his 2d work I'm especially fond of the motion-captured pieces. So why did I choose David for my example in this segment? Because a) this article isn't about painting, and b) Because he assembled one of the best shows of 2008 at Roebling Hall; also one of the strongest solo exhibitions I have ever seen in New York.

As you enter the gallery there are rhythms audible from around every corner as if one of those really good paint bucket drummers is rocking out after freebasing a small pile of coke. The feeling is uncertain and exciting already. I remember having a similar sensation years back the first time I heard Vito Acconci's Shadow Boxer from the foyer at MOMA. You hear the impact of something hitting something, but don't know what it is until you round the corner and find a Vito boxing his own shadow on the wall. In the hall leading out of the foyer stands a contraption mounted on a desk contributing to the intermittent racket utilizing animatronics built into a typewriter that types, in rhythm, the song lyrics from Laurie Anderson's Oh Superman.

ellis2.jpg
A Sound Sculpture in Progress

A variety of similarly animated sculptures played beats throughout accompanied by many new paintings and wall sculptures, but the real kicker was in the main room... a pile of garbage. As it stood in front of me silent and trite I thought, "Wow, what a fucking climax. Great work." All of the sudden! And I build it up because I almost pissed my pants, the pile of garbage started fucking jamming! I added the video below to try and illustrate this as well as possible, but it hardly does the ensemble justice (My little point-and-shoot camera only records for 30 seconds and sounds like shit, sorry). My guess is motion sensors triggered the start of it, but I could feel my toes-a-tapp'n as the pile of rubbish played some of the funkiest beats I've ever heard. Roberto Lange composed the number in collaboration with Ellis' installation titled Trash Talk. I use this as an example because it extrudes every aspect of my expectations as mentioned above. I would highly enjoy others sharing their positive show going experiences in the forum below, even if it includes some of the themes I find so irritating. -J

A better video from Davids site:

Written by Julian Duron. Email him: julian(at)fecalface.com {moscomment}

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contact FF

Gone Fishin'
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IMG_9585_sm

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Wednesday, 16 June 2010 17:39


 

 


 

 

 

Alison Blickle @NYC's Kravets Wehby Gallery

Los Angeles based Alison Blickle who showed here in San Francisco at Eleanor Harwood last year (PHOTOS) recently showed new paintings in New York at Kravets Wehby Gallery. Lovely works.


Interview w/ Kevin Earl Taylor

We haven't been featuring many interviews as of late. Let's change that up as we check in with a few local San Francisco artists like Kevin Earl Taylor here whom we studio visited back in 2009 (PHOTOS & VIDEO). It's been awhile, Kevin...


Peter Gronquist @The Shooting Gallery

If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade's Snake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows.


Jay Bo at Hamburg's Circle Culture

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NYCHOS @Fifty24SF

Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.


Gator Skater +video

Nate Milton emailed over this great short Gator Skater which is a follow-up to his Dog Skateboard he emailed to us back in 2011... Any relation to this Gator Skater?


Ferris Plock Online Show Now Online as of April 25th

5 new wonderful large-scale paintings on wood panel are available. visit: www.ffdg.net


ClipODay II: Needles & Pens 11 Years!!

Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.


BANDES DE PUB / STRIP BOX

In a filmmaker's thinking, we wish more videos were done in this style. Too much editing and music with a lacking in actual content. Just because you can doesn't mean you should.


AJ Fosik in Tokyo at The Hellion Gallery

Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.


Ferris Plock - Online Show, April 25th

FFDG is pleased to announce an exclusive online show with San Francisco based Ferris Plock opening on Friday, April 25th (12pm Pacific Time) featuring 5 new medium sized acrylic paintings on wood.


GOLD BLOOD, MAGIC WEIRDOS

Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.


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San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.


John Felix Arnold III on the Road to NYC

Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.


FRENCH in Melbourne

London based illustrator FRENCH recently held a show of new works at the Melbourne based Mild Manners


Henry Gunderson at Ever Gold, SF

Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.


Mario Wagner @Hashimoto

Mario Wagner (Berkeley) opened his new solo show A Glow that Transfers Creativity last Saturday night at Hashimoto Contemporary in San Francisco.


Serge Gay Jr. @Spoke Art

The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.


NYCHOS Mural on Ashbury and Haight

NYCHOS completed this great new mural on the corner of Haight and Ashbury in San Francisco on Tuesday. Looks Amazing.


Sun Milk in Vienna

With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding


"How To Lose Yourself Completely" by Bryan Schnelle

I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle


Tyler Bewley ~ Recent Works

Some great work from San Francisco based Tyler Bewley.


Kirk Maxson and Alexis Mackenzie at Eleanor Harwood Gallery

While walking our way across San Francisco on Saturday we swung through the opening receptions for Kirk Maxson and Alexis Mackenzie at Eleanor Harwood Gallery in the Mission.


Jeremy Fish Solo Show in Los Angeles

Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.


The Albatross and the Shipping Container

Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.


The Marsh Barge - Traveling the Mississippi River from Minnesota to the Gulf of Mexico

For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.


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