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Home FEATURES  Pedro Matos Interview
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Written by Manuel Bellow
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Thursday, 22 July 2010, 1:06pm
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For the last 20 years or so there has been a bad seed growing in the Portuguese city of Lisbon. They call him Pedro Matos. Growing up he was heavily influenced by skateboarding and graffiti which was running rampant in Portugal during the early 2000's. Please don't let the graffiti monicur confuse you. Over the years Pedro Matos has developed one of the cleanest and most well refined illustration styles I have seen in quite a time. His fusion of masterful illustration and streety grime seems to breath new life into this often overused process. This undeniable photo realistic skill Pedro possesses is quickly getting him the notoriety he deserves. Keep your eye on this guy, he is just getting started at the ripe age of 20 years old. -Manuel Bello

Can you describe your childhood?
I was born in Santarém, Portugal and moved to Lisbon one year later. I grew up in a middle-class suburbs on the south side of Lisbon. I remember feeling like a bit of an outsider as a kid. I started getting involved in graffiti and skateboarding and hanging around in the street with my friends and creating all sorts of different things. I have also been very lucky and had many opportunities to travel beginning at a very young age.

Where does Pedro Matos currently reside?
I currently live near the Beach in the south side of Lisbon (Caparica) but I have my studio in the centre of Lisbon where I spend most of my time.
Can you describe a little bit about your creative process?
I usually don't do any plans or preparatory sketches. I just start painting a few layers on my canvas as the backgrounds and after a lot of work and experimentation, I decide which subject to portrait, and how I am going to place them in terms of scale and composition etc. I end up changing a lot of things during my painting process. It's like solving some kind of problem where I add and subtract until it doesn't seem to clash with my vision.

How much of your work is based on photo reference?
I use photo references for the portraits. I change and combine a lot and I am not 100% committed to my sources, as that's not the point most of the times. But for me and my work a reference it's needed to have the right light source and proportions generally.

I know you have done street art work in the past, you mentioned graffiti as a kid but you also seem to be gaining a lot of momentum very quickly within the gallery circuit. Are you still getting up in the streets?
Yes. However, this seems to be a subject that confuses a lot of people. I am not one of the artists that started working in the streets and then got to the gallery circuit after gaining a lot of attention. With me, both things happened at the same time and go hand to hand. One thing complements the other and wouldn't make much sense one without the other. Of course there are times that it's more appropriate to work in the studios and for gallery shows, and other times to do street art. In the past few months I have been working a lot on my studio both for my solo show and various group shows. But now that summer time has come I will be taking some time to work on all the street art projects that I have left pending.

How does the new found notoriety feel and having people now aproching you about projects?
Everything feels like a big blessing and I am really flattered by everything. I have been working hard for the past few years and it's definitely the best feeling in the world to see the results coming together and that every minute of struggle and hard work has been worth it. I get very excited and honored just thinking about all the projects and shows I have been offered!
Are you able to support yourself on your artwork as of now or is this still a work in progress?
Yes, thanks to all the people that support me and my work I have been blessed and able to make a living out of it and it's nice to be able to fully concentrate on my work.

You have an amazingly realistic illustration style and you are still relatively young. Do you have any formal art training?
Thank you! Well, I started showing being completely self-taught as I was still in High-School and had no formal art training prior. However, I am now attending classes in Lisbon and working towards my BFA.
What is the primary subject matter in your work?
The primary subject matter in my work is humanity. I paint about people and the decaying condition of society as a whole. The consequence of the contemporary society and it's decay.

Who are some of your primary art influences both living and dead?
There are a lot of influences and people whom I respect and admire. It would be impossible to name them all but the most influential are masters like Caravaggio, Velazquez, Rembrandt, Chardin etc. I also admire a lot of the Pop Art and Hiper-realism artists and of course, contemporary artists. We live in a time with a lot of talented artists, and I specially admire Antony Micallef, Conor Harrington, Barry Mcgee, Kinsey, Charlie Isoe, Faile, Shawn Barber, Swoon, etc...
MICALLEF,
CONNOR,
McGEE,
KINSEY,
CHARLIE ISOE,
FAILE, and
BARBER.

What is the single most important thing to you in life?
The most important thing is being healthy and around the people that I love.
What does Pedro Matos fear?
Loosing people.

Does Pedro Matos have any famous last words?
Thanks for the support.
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///
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Comments
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Morning, San Francisco. -as of 11am

| Further Collective Flagstaff Mural
The Further Collective: Mario Martinez (Mars-1), Damon Soule & Oliver Vernon were in Flagstaff last week collaborating on an outdoor mural at The Flagstaff Brewing Company located in the historical district of downtown Flagstaff, AZ.
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| INTERVIEW with Tristan Patterson
Director of the documentary film DRAGONSLAYER --> DRAGONSLAYER is a documentary about the skateboarder Josh "Skreech" Sandoval. He's a character and the film follows his many ups and downs dealing with young parenthood, competing, and relationships. However, rather then try and make some type of statement about him, it just presents him objectively in the way that he is through wonderful cinematography.
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 |

 |
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Logan Crable emailed us the other day with an offer to view his Blow Job series. Normally we don't get offers to view someone's porn project, but we quickly learned that the blowing is more in the literal sense as opposed to the pleasuring form.
 |

 |
| Michelle Ramin & SFAI Grad Show
Thanks to Michelle Ramin for emailing us some her recent paintings. Michelle will be displaying her work as part of SFAI's MFA graduate show running this weekend and opening Friday, May 11th at the Pheonix Hotel here in San Francisco.
 |

 |
| Interview with Jeff Depner
Whether conceptually motivated or intuitively created, the process of painting has been a main attribute in art for sometime now. Controlling the surface of a canvas is at the root of most contemporary painting. Vancouver native Jeff Depner's work creates avenues for visual discovery through a process based aesthetic. Layers upon layers of paint each relating to the next. Masking some, if not all, of the past creates a visual history within. The work ebbs and flows between graphic qualities and thick painterly styles with muted but contemporary feeling colors. The constant process of 'improvised moves' allows some of the work to be based in grid like structures. It allows some of the smaller paintings a chance for inquiry in constructive qualities and aspects of painting, inserting his work into the long history of painting.
 |

 |
| If Bill Murray was a Triple Bacon Cheeseburger
Bay Area artist Cahill Wessel emailed over a couple gems- food/human hybrids with wonderful titles. Made our morning.
 |

 |
| Michael Miller @Fifty24SF
On the way home from Fecal Face a couple Fridays back we swung through Fifty24SF to catch the two day show with the LA based hip-hop photographer Michael Miller in celebration of his new book. West coast hip-hop iconic early 1990's hip-hop photographs, including numerous photos of 2pac, Ice Cube, Eazy-E, Snoop Dogg, Warren G... the bonus: Eazy-E touting a skateboard and a gun?!
 |

 |
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 |

 |
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 |

 |
| Dave Kinsey @FFDG, May 18th
Mark your calendar: Dave Kinsey opens Lost For Words @FFDG in San Francisco on Friday, May 18th (6-9pm).
New mixed media paintings and installation. This will be his first show in San Francisco in 12 years and his first on the West Coast since 2007... We're very excited. Below is a lil' taste of what's to come.
 |

 |
| ROA at Stolen Space, London
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 |

 |
| Hamishi in Melbourne
Hamishi emailed over some photos from his current show Nothing Special running at Melbourne's Paradise Hills through this Saturday, May 5th. If you're in Melbourne, view it in person as we're sure it looks even better in person.
Hamishi participated in last November's group show 11.11.11 @FFDG back in November with Mario Martinez showing a solo show... Man, that's was a nutty opening before the cops showed up.
 |

 |
| Opening Pics @FFDG for C.P.H.
Alex Uhrich & Gerald Anekwe got some photos from the recent group show at FFDG, Cigarettes, Phone Cards & Hip Hop Clothing.
 |

 |
| Spoke Art Thursday
Spoke Art here in SF opens the group show Synergy curated by LA's Thinkspace this Thursday, May 3rd (6-10pm) featuring works by a slew of artists that Thinkspace works with. Spoke Art sent us a taste for you to sample.
 |

 |
| Ludo's Palynology
Ludo who we've featured many times emailed over a recent piece from Katowice in Poland called "Palynology".
 |

 |
| Murals by Flavio Samelo (Brazil)
We had the pleasure of meeting Flavio Samelo when we were in Sao Paulo last summer (blog). He's a skateboarder/ photographer and talented artist. Here are some photos from some of his recent mural done in Rio de Janeiro, also in his words.
 |

 |
| Paintings by Corydon Cowansage
Recent RISD MFA painting alum Corydon Cowansage emailed over some paintings. Like them.
 |

 |
| McNett, Swoon, & Canilao
Dennis McNett just got back from Milan, Italy where he did a collaborative show with Swoon and Monica Canilao at the Patricia Armocida Gallery. Looks incredible and runs through July 20th.
 |

 |
| Pablo S. Herrero & David Delam in Uruguay
Flavio Samelo submits goodness from his native Sao Paulo, Brazil or from around all of South America. Today he sends over some recent mural work by Pablo S. Herrero and David Delam done in Montevideo, Uruguay.
 |

 |
| Cigarettes, Phone Cards & Hip Hop Clothing
 |

 |
|