I Used To Want To Live In A Cave
12" × 12" – 2 color silk screen print signed and numbered edition of 50
$40

Hand printed by Nat Swope at Bloom Press in Oakland, CA.

In Other Words, I Wanted Adventure
12" × 12" – 2 color silk screen print signed and numbered edition of 50
$40

Hand printed by Nat Swope at Bloom Press in Oakland, CA.

Our last show at 66 Gough St before we move to Fillmore @Haight. Corey will be at the opening signing copies of his new book FISH-WORK which will be for purchase (online here too)

Portland based photographer and fisherman himself (Corey's starred on the popular show Deadliest Catch), Corey Arnold, has been traveling the world documenting the world's fisherman since 2002. His show at Fecal Face Dot Gallery (opening Feb 11th, 2011) will feature a selection of photos featured in his new book, Fish-Work, Published by Nazraeli Press 2010 & available online here (Corey will be signing copies of his book from 6 to 7pm during the opening).

In 2009 PDN named Corey one of the top 30 emerging photographers. Corey Arnold is represented by Charles A. Hartman Fine Art in Portland, Richard Heller Gallery in Santa Monica and commercially by Redeye Represents in Los Angeles.

From World Champs by Ray Potes

From It Is Alright To Adore Yourself And Everyone by Brian David Stevens

From Celly Brain...

Portland based photographer and fisherman himself (Corey's starred on the popular show Deadliest Catch), Corey Arnold, has been traveling the world documenting the world's fisherman since 2002. His show at Fecal Face Dot Gallery (opening Feb 11th, 2011) will feature a selection of photos featured in his new book, Fish-Work, Published by Nazraeli Press 2010 & available online here (Corey will be signing copies of his book from 6 to 7pm during the opening).

In 2009 PDN named Corey one of the top 30 emerging photographers. Corey Arnold is represented by Charles A. Hartman Fine Art in Portland, Richard Heller Gallery in Santa Monica and commercially by Redeye Represents in Los Angeles.

Fish-Work is the title of an ongoing life project documenting my journey as a commercial fisherman in Alaska and my travels abroad exploring fishing cultures around the world. Since 1995, I’ve worked seasonally as a crab, salmon, cod, and halibut fisherman in Alaska. But it wasn’t until 2002 that I picked up a camera and got serious about telling the story of this unique little world I’d stumbled upon.

I have a love-hate relationship with commercial fishing. The work is often grueling and mundane, sometimes dangerous and soul crushingly repetitive. But inversely, there is beauty and freedom in the act of manual labor, surrounded by a vast and remote sea wilderness. For a fisherman, the reward is often found in the amazing stories of triumph, disaster, and pride that are brought home to the civilized world. I’ve chosen to tell my story in photographs.

This selection has been culled from my most recent three month journey living amongst European fisherman in Spain, France, the Netherlands, Scotland, Greece, Germany, Poland, Norway and Ireland. They are accompanied by my images from seven years of work aboard the Bering Sea crab boat Rollo and my upcoming series Graveyard Point, the name of the seasonal salmon fishing community I’m a part of in Bristol Bay, Alaska. -Corey Arnold

About Corey Arnold
Portland based photographer Corey Arnold (34), travels the world shooting magazine assignments and personal projects while moonlighting as a commercial fisherman in Alaska 2-3 months per year. His photographic chronicles of the commercial fishing lifestyle in Europe and Alaska have been exhibited in galleries worldwide. His work has been featured in The Paris Review, Juxtapoz, Artweek, Italian Rolling Stone, Esquire, PDN, The Guardian UK, The Chicago Tribune, and Outside Magazine. PDN named him one of the top 30 emerging photographers for 2009. Corey Arnold is represented by Charles A. Hartman Fine Art in Portland, Richard Heller Gallery in Santa Monica and commercially by Redeye Represents in Los Angeles.

download Corey Arnold's resume

Check out this collaboration Lola and I did. It's of my portraits of Noam Gonick. It's like a 3 way artist collaboration: Me and Noam, then Lola and I... Fecal Face brought us all together. -Thanks, Wilford

We're happy to preview our friend Corey Arnold's new book here on Fecal Face. Corey has been traveling the world documenting the world's fishermen through grants when he's not fishing himself in the depths of the Bearing Sea. He's starred on the show Deadliest Catch. His photos have been featured everywhere from Juxtapoz, Rolling Stone, to the The Paris Review.

Corey Arnold opens his solo show Fish Work @Fecal Face Dot Gallery on February 11th here in San Francisco.

The photographs in “Fish-Work: The Bering Sea” capture moments from Arnold’s grueling retreats as a crew member aboard a fishing boat to the Bering Sea. With scenes of boat life so vivid that some shots can induce fear or seasickness, the artist’s perspective also reveals the tender soulfulness of a fisherman’s extended life at sea. His skillful compositions depict the simultaneous bravery, toil, humor and gumption that “fish-work” demands. Yet the series also illuminates the aesthetic sublimity that can only be experienced, ultimately, by those willing to risk their lives where the sea breaks its back. Having survived several seasons afloat these icy and unforgiving waters, we are lucky that Arnold has taken time to document his artistic impressions of this rare lifestyle and extended us a vicarious glimpse.

His show MORE opens Thursday @Fifty24SF featuring 9 new provocative works, with INSA utilizing media such as sculpture and lights adding to the “glamour” of his work. The exhibition will also feature an exclusive SF edition of INSA’s classic “Heel” print and a selection of photographic prints.

Some recent work in SF.

Basically it's called "co-branding" and it's about invading bus shelters spaces with my stuff and brand them to fit in the commercial world. It started with a DelMonte custom can and still going on...

With my work I like to refer to the illustrative nature of primitive drawings and sculptures. What I find interesting about these is the distortion as a result of selective emphasis; parts of interest are emphasized, unimportant parts reduced or left out. For characters this means they come out big headed, where focus is on the face and the body is trimmed to its essential properties.

First we drank a couple beers while Matt DJ'd a taste of the music he's been listening to... Afterwards, Matt answered many of your questions submitted through email, our Facebook page and Twitter page. All areas of Matt's prolific comic book and fine art career were covered, and we think it may be one of our finest Podcasts to date. ~Check it

Load this XML file into your ITunes and check the list of artist interviews and musical mixes. There's a lot in there and growing... Trouble loading it into ITunes? You can subscribe through the ITunes Store as well for FREE. Just search Fecal Face.

Matt will be showing tonight at Needles and Pens. ~Show Info --> Should be a fun show w/ music from DUB KNOW DUB.

Jesus, what a fucking good show. Wonderful, Mr. Eric Yahnker.

Oh, and speaking of our buddy Jay, be sure to mark your calendar for Sat Feb 5th as Jay will be showing at Needles and Pens w/ Chris Johanson, Russ Pope, Mike Myers, and Chris Yormick.

We were turned away at the door last night to support KUSF by a police officer who told us that the theater was filled to capacity already and they weren't letting anyone else in... Well, glad to hear and see that the turnout was massive last night as KUSF fans voiced their grievances with USF president Father Stephen Privett and even going so far as to call him a sell-out douche bag which, in our opinion, may have gone a little too far... But, when people are angry for a good reason, such as this, tempers run high...

It sounds like the president stuck to his guns and never answered the question we wanted answered, which is, WHY? Sure, he did say USF is an educational institution which teaches students how to work and run a radio station, but that the school isn't in the radio business... The radio station is staffed more by volunteers than by students. But, over the decades the station, by nature of broadcasting to the public, has affected the community and the community has grown to love and appreciate the station to the point that the station has become its own San Francisco icon... The station is a musical institution, though not just in San Francisco, but throughout the independent music scene across the United States.

Is the school struggling so badly that it needs the 3.75 million they sold the frequency and transmitter for? If so, at least give others who would like to save the station a chance to raise the money to counter the offer, but they didn't. Instead, the deal, which took years to work out, was done in secrecy. No one working in the station knew. The USF students didn't know nor the USF faculty knew... Pretty much anyway you come away from this, it's bullshit how they kept all who may be interested in the dark... The school loses. San Francisco loses. The music community at large loses.. Hopefully KALX takes steps now to prevent this from happening across the Bay!

other coverage
KTVU video story
Chronicle story
SF Weekly
Bay Citizen

The winner and runners up will look forward to receiving my new screen prints via post. Being successful in getting a response will increase your chances of winning but nonetheless all good stories will be considered and maybe even published on my website.