Australian Anthony Lister was in SF recently for the Young and Free show which opened last week at 941 Geary. Below is a lil' video of Anthony being Anthony while here in SF working on the show and murals about town.
This Australian couple, now living in Los Angeles, collaborate on every piece of art they create. Splitting their works between acrylic on canvas and the murals in the streets, they're participating in the Australian street art show Young & Free: Australian Contemporary Street Artists opening up at 941 Geary on September 10th. We emailed them a few questions as they wrap up their work for the show.
So you've been in LA via Melbourne, Australia for 2 years now... How has the transition been?
It’s been great! We really love it in Los Angeles...quite quickly it felt like home here, which was something we didn't expect! But the transition was really smooth for us. After a few months to settle, and just once we wrapped our heads around some of the small differences like allowing 40 minuets to get somewhere - even if its 5 miles away -and learning to use inches and feet over centimeters and meters!
What have been some of the pluses and minuses of being in LA?
There is definitely more pluses than minuses! I think the main pluses are the weather and the people. We have met so many great people here that have become very close friends. And the constant sunshine and blue skies is just ridiculous! I don't think we will ever get sick of that!
Do you consider LA your permanent home now?
At the moment, yes. We can definitely see ourselves being here for many more years...But you never know what the universe has in store.
It seems that your works are divided between murals and paintings. Which came first?
It was different for both of us. I started painting graffiti in the mid 1990's. I had been painting pieces for years before returning to Art School and learned how to paint with acrylics.
Myla on the other hand, had been painting with a brush for most of her life, and it wasn't until we met that she started using spray paint.
Which medium works best to translate your work? Walls with spray paint or brushes while creating paintings?
I'm not sure... We really love painting graffiti and it’s such a big part of our overall influence and style. Painting graffiti letters is so important to us, and we love painting big characters on walls too. The way we go about painting with spray paint is similar to our brush paintings, but also completely different.
The characters are the same, and the content, but outside we paint with heavy lines and strong bold colors. Whereas on our paintings with acrylic, its a lot softer and harmonious approach. With subtle colors and no outlines...and we love working that way too!
THAT WAS THEN, THIS IS NOW @111 Minna Gallery --> Collaborative show between LA graffiti writer RISK and illustrator Nathan Ota - In a career spanning 28 years, RISK has impacted the evolution of graffiti as an art form worldwide. Risk is one of the most prolific graffiti artists to date. Los Angeles based, RISK gained major notoriety for his unique style and pushed the limits of graffiti further than any writer in L.A. had before. 111 Minna St @2nd 5pm-late
Illustrator Nathan Ota and LA based graffiti writer RISK
Tahiti Pehrson @Ever Gold --> For his new body of work and first solo exhibition at Ever Gold Gallery, Tahiti Pehrson will be presenting layered monochromatic three-dimensional paper pieces that play off of shadows and light, creating dramatic scenes. Pehrson shows his edge a seasoned veteran in an increasingly popular medium by producing works of staggering detail. 441 O'Farrell St. 6-10pm
Zoltron emailed over some photos and text of how his wheat pasted Ronald took on a life of its own over the course of a couple weeks. His words below.
Somehow I found myself involved in a spontaneous, public art project that organically unfolded over the last couple of weeks in sf.
For the hell of it, I was drawing a famous clown named Ronald (as a junky villain derelict,) but somewhere along the way, I saw a glint of compassion in his eyes. So the drawing ended up showing Ron suddenly caught in an existential crisis of sorts... Like he just realized that he was solely responsible for the death of hundreds of millions of cows. Maybe he suddenly understood that he was fueling massive rainforest destruction and undeniably accountable for child obesity and onset adolescent diabetes.
So I drew him, printed him out, mixed up some pigment and painted on some paper. Then I pasted him up in a foodie district in the mission. The following photographs were taken over the next 2 weeks.
the aging clown experiences an unexpected moment of clarity.
a few days later, someone (equipped with at least 4 colors of aerosol) wasn't amused. "fuck you, hipster scum." Right on point, oh disgruntled youth.
a public forum concluded that it was obviously the work of a certain masked villain. (humburglar was later arrested for defacing public art)
Only hipsters use words like "Hipster."
a few days later, a stencil party ensues.
followed by a confirmed metric fuckton of unadorned radness.
and finally.... according to the local shopkeep, the entire wall is "archived for historical significance." ..
Join us next week, as we discuss vegan soy lattes and their effect on the youth of America. - Zoltron
Last Saturday, June 11th, was Swampy's solo show at Fifty24SF. The show was just a one day art show (a lot of work for one night show), but we were able to get a quick peak today before they started cleaning it up.
A fake wall misleads what you're about to witness. Looks like a tiny gallery space, but there's more than meets the eye.
Lift this painting to be taken to the back room where the magic happens... or should say happened.
After seeing photos of the tagged mural, Cassady, a professional art conservator, volunteered to come to the corner of Frankford Avenue and Norris Street two days per week to remove the graffiti.
How many people used to think what an eye sore Obey Giant was back pre Obama poster days... Lady, you're cleaning graffiti off graffiti. It's like taking the pianist and double bass out of a jazz trio because the drummer is famous.
London artist INSA is known for his sexually charged images of women intermixed with design influences through graphitti and fashion. He has a line of womens heels including a line of Nike Dunk Heels as well (seriously).
His show MORE opens Thursday @Fifty24SF featuring 9 new provocative works, with INSA utilizing media such as sculpture and lights adding to the “glamour” of his work. The exhibition will also feature an exclusive SF edition of INSA’s classic “Heel” print and a selection of photographic prints.
Fresh off his first solo show in NYC, 'THIS CITY WILL EAT ME ALIVE', this Australian transplant and aerosol wizard, Kid Zoom, answers a few our questions to get a lil' better perspective on how this young talent ticks.
Ron English called him Rembrandt with a Spray Can... He's damn talented.
How has the transition to NYC from Australia been so far? How long have you been in the States?
I moved over in May. The transition has been amazing, the winter is taking a little adjusting, but it's been a great experience, I feel really at home in New York.
Why are Australians so cool?
We have a culturally ingrained system of ego destruction called tall poppy syndrome, which basically cuts anyone who's head rises above the crowd off at the knees. It helps keep us all pretty down to earth, but it's a blessing and a curse, especially when you're in a creative field.
How do you feel about Ron English giving you such a glowing recommendation? That's got to feel pretty good.
Ron has been someone I've looked up to for a long time and to have him be so supportive of my move to New York and of my work has been amazing and very surreal.
I’ve been painting graffiti since 1996. I concentrate most of my efforts toward freight trains. I paint with the intent of pairing down traditional graffiti letter forms to their most basic forms, but lately I've been exploring other mediums, constructing letters out of paper and wood as well. Mainly I'm just pushing myself to think about graffiti in new ways.
Last Tuesday was the world premiere of Love Letter. Director Joey Garfield and the Ghost Robot production company creates a film that mixes elements of documentary and narrative film to tell the story of the Love Letter mural project — a series of 50 rooftop murals from 45th to 63rd Streets along the Market Street corridor in West Philadelphia. ~read on
Muralist, RIPO emailed over a couple newer mural works. Love his lettering and these pieces.
Your Name Super Size - Near Basel, Switzerland
Madrid, Spain - An old tobacco factory in Madrid seemed like the perfect place to paint a tribute to the classic Optimo Cigars sign that I grew up seeing all over NYC. And even for those people who won't know the context it's at least an Optimistic word. - RIPO
MOMO is known for thoughtful post- graffiti: tagging his name the width of Manhattan, creating over-sized collage, a fake New Yorker magazine cover, tide powered sculpture, a computer script which makes his art for him, and prints, paintings, and videos that rely on chance for fun and substance... He opens a solo show in San Jose this Friday at Anno Domini. Great work, and have you seen his tagging of Manhatten which is the largest to date- over 8 miles. NYTimes article. ~Show details
This morning we take a closer look at this beautiful painting by San Francisco based Michelle Fleck now showing at FFDG.
Arrangement measures 24"x30", acrylic and aerosol on panel - inquires: info(at)ffdg.net
Michelle Fleck is a painter living in San Francisco. Her work focuses on the relationship between man and the landscape, and the marks we leave on it. Influenced by everyday life in the city, her paintings serve as snapshots of an ongoing intersection of the natural and man-made world. She strives to make work that has a sense of relevancy in a culture driven by a need for change and newness.
Met up with Jeremy Fish last night to catch up and discuss his upcoming solo show opening this August at San Francisco's FFDG. Don't want to give too much away, but the guy is very busy these days. You know the giant pink bronze statue will be built and installed at the corner of Haight and Laguna welcoming those to the Haight (check) in 2015? Going to be incredible.
Check photos from his last San Francisco solo show in 2012, and mark your calendar for August as his next solo show opens at FFDG.
Beering with Fish at his favorite watering hole, Zeitgeist
Sculpture of Jesus as homeless and sleeping on a park bench is "freaking out" the neighbors of this wealthy NC suburb. The sculptor, who has an affinity for street art, created it to remind us that "We believe that that's the kind of life Jesus had," Buck says. "He was, in essence, a homeless person." ~READ ON
I attached a cradle with a spray paint can and other hardware to the drone. I created a series of paintings that are larger, about maybe 3 feet by 3 feet all the way up to 25 feet by 15 feet … And basically, I achieved the perfect air pressure, the perfect weight of the paint and the perfect materials so that the drone didn’t freak out when I attached these mechanisms to it, Katsu said. --continue reading
Speaking of Ocean Beach, if you know, you know, but if you don't... it's not what the average american thinks of when thinking of a California Beach (missing 14 yr. old yesterday). Can't believe we used to drunk naked swim at 3am in the dead if winter... being surfers probably helped us not dying.
Located in the beautiful ocean-side Golden Gate National Recreation Area, the Headlands artists programs support artists of all disciplines—from visual artists to performers, musicians, writers, and videographers—and provide opportunities for independent and collaborative creative work.
We all know that San Francisco is going through aches and (growing?)/ shrinking artist pains these days as San Francisco property values sky rocket due to the tech infestation going on around the entire Bay Area. Maybe you work in tech and love it, but since this is an art website, we're interested to how this is affecting artists trying to make ends meet.
Some galleries have been forced to close due to 300% rent hikes. Many artists have fled to Oakland, LA and NYC in search of affordable housing and a more vibrant art scene... But we wanna know what you think of how it's going here in San Francisco. How are you making it work? What's your take on the art scene or lack there of? Do you think things are on the up and up or down and out here in San Francisco? Are artists a bunch of complainers and every thing looks great or is it curtains for San Francisco's artistic community? Thoughts
The Rena Bransten Gallery is packing up their 77 Geary space to make way for tech company MuleSoft
Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.
San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.
Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.
Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.
The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.
With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding
I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle
Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.
Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.
For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.
Our buddy Flavio Samelo down there in Brazil does all kinds of great work including this recent mural project in downtown Sao Paulo in front of one of the most important modern buildings of Oscar Niemeyer from the 60's, THE COPAN.
John Trippe, founder, owner and curator of FecalFace.com and the Mission District art gallery FFDG, announced today that he will stepping down from daily operations of the two ventures to seek new career opportunities.
Last year we posted photos from another one of Simon Hjermind Jensen's Fire Shelters he's made in Copenhagen. This time around the Copenhagen based artist/ designer created one for the Papay Gyro Nights 2014 way up in on the Orkney Islands in Northern Scotland.
"Salt the Skies" opened on the 21st at FFDG and features this great piece by Mexico City based Curiot (Favio Martinez) whose sold out 2013 show Age of Omuktlans ran at FFDG. His forthcoming solo show is slated for March 2015.
BERLIN --- Project M is a temporary art project with the objective to improve the neighborhood, to push creativity and to connect people. At regular intervals Urban Nation with director Yasha Young invites a group of internationally reclaimed contemporary urban artists to re-design the facade and shop windows of a prominent residential building in Berlin, while it is being reconstructed.
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