Friday, 21 January 2011 10:31 Written by Ana Ferraz
Hey. My name is Ana Ferraz and I’m a new contributor from São Paulo here at Fecal Face. I run a gallery called Fita Tape, in Porto Alegre, southern region of Brazil, together with my husband Lucas Ribeiro “Pexão”. We are currently showing a solo exhibition by Rimon Guimarães, one of our favorite young artists from Brazil. Friend and FF contributor Tristan Rault is also showing the artist at his gallery in Buenos Aires, Argentina, so I think it’s the perfect moment to introduce you to the work of Rimon.
Rimon is a young and talented artist from Curitiba, Brazil. His artwork often shows organic traces, hybrid forms and bold characters in a beautiful and unique style. Rimon’s first interests on art came from comic books/manga and graffiti, but now he also seeks influences on primitive art, Maya culture and botanic illustrators, such as Ferdnad Bauer and Ernest Haeckel. “I’m influenced by everything around me. I’m hyper sensible, that’s why I like to have a great contact with nature. Nature organization is a huge influence”, he says.
Rim’s works can be seen in the streets and in exhibitions, as the solo “Madrugada” (2007), Polinesia gallery and Laboratório Objeto Escarlate, Espaço +SOMA (2010), in Sao Paulo; “Voluvel” (2008) together with Pjota at the Parana’s MAC, in Curitiba; the group shows TRANSFER (2008 and 2010, in Porto Alegre and São Paulo) and Art Trek 7 (2010, Belgium) and currently in two solo exhibitions, Maré Plena, Fita Tape gallery (Porto Alegre) and Descalzo, |/_ gallery (Buenos Aires).
As an artist, Rimon is also member of the Interlux collective, a group of friends/artists/musicians/philosophers/activists who promote actions related to the urban space, with a situationist inspiration. Interlux actions create an atmosphere that involves and engage other people, in unusual performances. “Our first actions seemed like crazy parties”, he explains.
Besides Interlux, he works along three friends on Banzai Studio, a multidisciplinary creative studio, mixing commercial and personal projects on motion design, illustration, film, graffiti, and so on. With Banzai, Rim worked with clients as MTV, Listen Skateboards and Pernod Ricard. He also had a Nike SB limited shoe, together with the skateboarder Rodrigo Petersen, and works closely with the up and coming Brazilian skateboard shoes brand Öus.
Literally equal time spent between Fairfield/SF/Oakland every week, 25, Working on a BA in Art History, www.ryandelahoz.com
How would you describe your work to someone?
I would say something like "Mostly it is personal reflection. I used to try to come up with ways to explain it with big words but lately I would rather hear what others think. I think a lot about loss, hope, isolation, freedom from oppression, the destruction of natural resources, myth, magic, the pursuit of happiness. Oh, I don't know" - I'm just testing the water of this crazy world and trying to do what I feel.
Influences?
"Death of an Old Old Man","Rita Hayworth and Shawshank Redemption", the ghosts that live in the upstairs rooms of my Grandmother's house, Teenage Mutant Ninja Turtles, those people that are endlessly hopeful and positive (they usually love cats and or all animals)
Hanging out front USF with those who arrived too late.
We were turned away at the door last night to support KUSF by a police officer who told us that the theater was filled to capacity already and they weren't letting anyone else in... Well, glad to hear and see that the turnout was massive last night as KUSF fans voiced their grievances with USF president Father Stephen Privett and even going so far as to call him a sell-out douche bag which, in our opinion, may have gone a little too far... But, when people are angry for a good reason, such as this, tempers run high...
Logan Kroeber of The Dodos supports KUSF
It sounds like the president stuck to his guns and never answered the question we wanted answered, which is, WHY? Sure, he did say USF is an educational institution which teaches students how to work and run a radio station, but that the school isn't in the radio business... The radio station is staffed more by volunteers than by students. But, over the decades the station, by nature of broadcasting to the public, has affected the community and the community has grown to love and appreciate the station to the point that the station has become its own San Francisco icon... The station is a musical institution, though not just in San Francisco, but throughout the independent music scene across the United States.
We were surprised by the amount of SFPD in case things got out of hand.
Is the school struggling so badly that it needs the 3.75 million they sold the frequency and transmitter for? If so, at least give others who would like to save the station a chance to raise the money to counter the offer, but they didn't. Instead, the deal, which took years to work out, was done in secrecy. No one working in the station knew. The USF students didn't know nor the USF faculty knew... Pretty much anyway you come away from this, it's bullshit how they kept all who may be interested in the dark... The school loses. San Francisco loses. The music community at large loses.. Hopefully KALX takes steps now to prevent this from happening across the Bay!
Pleased to see that the local media was out in full force.
Wednesday, 19 January 2011 17:53 Written by David Shillinglaw
Our friend and London based artist David Shillinglaw shoots us a blog from time for insight into the Londoner's arting life... As the cold of winter harshes Britain, he's off to Morocco but after a quick show in Paris.
Hugh is very involved with the community down on 6th street here in SF, and if you know SF then you are well aware of the atmosphere of 6th and Market. Drug dealers, drug doers of all sort, people generally down on their luck in many forms. This is Hugh's canvas as he interacts and paints the characters he comes in contact with. SF people have probably seen a wheat paste or two of Hugh's work around town.
Pretty mellow opening, but we were there pretty early too and didn't stay very long.
Like it. Reminds me of Scotty, a really nice homeless man who hangs out front FFDG.
This show features five artists from the Bay Area. Although there is a slight connection with figuration, each artist uses that launch point to create wholly different work. Pieces vary from figurative drawings, illustrative paintings, comic renderings, and mix media abstractions. Bitches Brew serves as a bookend to 2010's Bro Palace that featured works by several male artists from the Bay Area's art community. ~VIEW OPENING PHOTOS
Tuesday, 18 January 2011 16:18 Written by Van Edwards
Update from Tomo: It's been a while, I've been lying low and roaming the frontier for the last several months. Anyhow I thought I'd come out of hiding and inform y'all of my new artwork and website update.
New photo's, drawings, screen prints and other stuff all on there for your viewing pleasure. That's (the highly acclaimed): quangowangism.com if you're not already in the know.
Also as I am well known for my high degree of generosity and just want to give screen prints to people all the time, here is your chance to win a Tomo original of your very own. This is how my latest competition goes...
Part 1. You must write a story (bearing in mind part 2) which contains all of the following elements: 'Old fashioned cups of tea' 'An area of natural beauty' 'An ex Foreign Legion asylum seeker' 'A local street corner' 'Nino Nardini' 'A potential emergency' 'And five grown men stroking an enormous Irish Wolfhound' Interpret as you wish.
Part 2. Post your story to your local MP / politician / city council with the aim of eliciting a response.
The winner and runners up will look forward to receiving my new screen prints via post. Being successful in getting a response will increase your chances of winning but nonetheless all good stories will be considered and maybe even published on my website.
Tuesday, 18 January 2011 11:18 Written by Ferris Plock
San Francisco is a great city for many reasons, and one of them is that our city dump has an artist residency program. That's right, they invite a couple artists at a time to rummage through our trash and make art from it. In fact, artists are only allowed to use materials they find at the dump to create the show, and they have 3 months to do so (photos from last reception).
Our buddy Ferris Plock has just began his art dump residency and will be blogging as he creates his show opening January 21st. This is his third blogging installment. (Part I - Part II)
We were about to jump in a cab last night to leave an art opening to make another. Alan Bamberger offered us a ride so... we took the opportunity to ask him a few questions.
Alan, through his website artbusiness.com, attends almost every art opening that goes down in San Francisco. Like 10 in one night, he's zipping across town to cover everything that's opening. From the greatest shows to the shittest, he's there snapping away. He's not human. We have no idea he does it. How does he stomach it all? We asked.
Rico Deniro’sNative Expatriots show at FIFTY24SF Gallery opened up last Saturday here in SF. For the show, Rico has presented people that live outside of technologically based civilizations in the rural villages of Mexico with images of first-world pop culture icons and employed them with one task: to interpret those icons in a traditional Mexican wooden mask.
Estevan Oriol shot the preview photos for the show like the one above.
Rico Deniro'sNative Expatriates is an artistic exhibition which could
also be considered an anthropological or sociological study of humanity
and cultures. Rico has presented people that live outside the
Twitter-Facebook fueled world of modern urbanity in rural villages of
Mexico with images of first-world pop culture icons and employed them with
one task: to interpret those icons in a traditional Mexican wooden mask.
The craftsmen of these masks have no reference point to these images, no
sense of importance tied to the celebrities that they were given, no
inundation of cultural significance by media sources - and instead
translate the images into form at a completely superficial and innocent
level.
I don't think at this point it needs to be written since the last update to Fecal Face was a long time ago, but...
I, John Trippe, have put this baby Fecal Face to bed. I'm now focusing my efforts on running ECommerce at DLX which I'm very excited about... I guess you can't take skateboarding out of a skateboarder.
It was a great 15 years, and most of that effort can still be found within the site. Click around. There's a lot of content to explore.
Hit me up if you have any ECommerce related questions. - trippe.io
I'm not sure how many people are lucky enough to have The San Francisco Giants 3 World Series trophies put on display at their work for the company's employees to enjoy during their lunch break, but that's what happened the other day at Deluxe. So great.
SF skateboarding icons Jake Phelps, Mickey Reyes, and Tommy Guerrero with the 3 SF Giants World Series Trophies
When works of art become commodities and nothing else, when every endeavor becomes “creative” and everybody “a creative,” then art sinks back to craft and artists back to artisans—a word that, in its adjectival form, at least, is newly popular again. Artisanal pickles, artisanal poems: what’s the difference, after all? So “art” itself may disappear: art as Art, that old high thing. Which—unless, like me, you think we need a vessel for our inner life—is nothing much to mourn.
Hard-working artisan, solitary genius, credentialed professional—the image of the artist has changed radically over the centuries. What if the latest model to emerge means the end of art as we have known it? --continue reading
"Six Degrees" opens tonight, Friday Jan 16th (7-10pm) at FFDG in San Francisco. ~Group show featuring: Brett Amory, John Felix Arnold III, Mario Ayala, Mariel Bayona, Ryan Beavers, Jud Bergeron, Chris Burch, Ryan De La Hoz, Martin Machado, Jess Mudgett, Meryl Pataky, Lucien Shapiro, Mike Shine, Minka Sicklinger, Nicomi Nix Turner, and Alex Ziv.
"[Satire] is important because it brings out the flaws we all have and throws them up on the screen of another person," said Turner. “How they react sort of shows how important that really is.” Later, he added, "Charlie took a hit for everybody." -read on
As we work on our changes, we're leaving Squarespace and coming back to the old server. Updates are en route.
The content that was on the site between May '14 and today is history... Whatever, wasn't interesting anyway. All the good stuff from the last 10 years is here anyway.
Opening tonight, Friday May 23rd (7-10pm) at Park Life in the Inner Richmond (220 Clement St) is Again Home Again featuring works from the duo Jacob Mcgraw-Mikelson & Rachell Sumpter who split time living in Sacramento and a tiny island at the top of Pudget Sound with their children.
Jacob Magraw will be showing embroidery pieces on cloth along with painted, gouache works on paper --- Rachell Sumpter paints scenes of colored splendor dropped into scenes of desolate wilderness. ~show details
NYC --- A new graffiti abatement program put forth by the police commissioner has beat cops carrying cans of spray paint to fill in and cover graffiti artists work in an effort to clean up the city --> Many cops are thinking it's a waste of resources, but we're waiting to see someone make a project of it. Maybe instructions for the cops on where to fill-in?
The NYPD is arming its cops with cans of spray paint and giving them art-class-style lessons to tackle the scourge of urban graffiti, The Post has learned.
Shootings are on the rise across the city, but the directive from Police Headquarters is to hunt down street art and cover it with black, red and white spray paint, sources said... READ ON
Los Angeles based Alison Blickle who showed here in San Francisco at Eleanor Harwood last year (PHOTOS) recently showed new paintings in New York at Kravets Wehby Gallery. Lovely works.
We haven't been featuring many interviews as of late. Let's change that up as we check in with a few local San Francisco artists like Kevin Earl Taylor here whom we studio visited back in 2009 (PHOTOS & VIDEO). It's been awhile, Kevin...
If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade's Snake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows.
Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.
Nate Milton emailed over this great short Gator Skater which is a follow-up to his Dog Skateboard he emailed to us back in 2011... Any relation to this Gator Skater?
Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.
In a filmmaker's thinking, we wish more videos were done in this style. Too much editing and music with a lacking in actual content. Just because you can doesn't mean you should.
Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.
FFDG is pleased to announce an exclusive online show with San Francisco based Ferris Plock opening on Friday, April 25th (12pm Pacific Time) featuring 5 new medium sized acrylic paintings on wood.
Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.
San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.
Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.
Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.
The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.
With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding
I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle
While walking our way across San Francisco on Saturday we swung through the opening receptions for Kirk Maxson and Alexis Mackenzie at Eleanor Harwood Gallery in the Mission.
Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.
Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.
For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.
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