Wednesday, 13 October 2010 09:59 Written by Trippe
MOMO @Anno Domini // the second coming of Art & Design
366 South First Street San Jose, CA
Exhibition Dates: October 1 - November 20, 2010
MOMO is known for thoughtful post- graffiti: tagging his name the width of Manhattan, creating over-sized collage, a fake New Yorker magazine cover, tide powered sculpture, a computer script which makes his art for him, and prints, paintings, and videos that rely on chance for fun and substance... His show in San Jose runs through Nov 20th at Anno Domini. Great work, and have you seen his tagging of Manhatten which is the largest to date- over 8 miles. NYTimes article. ~Show details
This may be one of our favorite items we've posted in some time. Just love it. Enjoy.
About "Lagoi & Lace"
Ralph Lagoi and Kate Lace are the artist duo behind "Lagoi & Lace". While studying art and photography at the Academy of media Arts in Cologne where they graduated with honors in summer 2010, they soon decided to combine their various strengths (photography, design, art direction and styling) to cherish and celebrate the power of beauty and fashion.
About the "Love Land Invaders"
Japan's stunningly decorated love hotel rooms are the impact zone of the "Love Land Invaders". They conquer these quirky and marvelous rooms with their playful visual lust. They strike iconic poses and seem to own a vast collection of unique fashion objects. It appears as if you're observing some intimate moments of energetic superheroes...
In order to find the perfect locations to unleash such concentrated passion we headed out for the most extraordinary love hotel rooms we could find in Osaka and the Kansai area.
The "Love Land Invaders" collection, which we designed and constructed beforehand, consists of masks, glasses, shields, armory, jewelry, customized clothes and ribbons, which are reaching out like demanding tentacles. After putting on these pieces we transformed into "Miss Takehito Quadruple", "Mister Hyde Dobuita Speerträger", "Mr. Seiuchi Sivuch", "Shika Shika Chan" and "Miss Ayanami Oenshi". Each of these characters represents a certain aspect of beauty (the beauty of dark elegance, the beauty of a gentleman, the beauty of play, the beauty of wilderness, the beauty of pink). The "Love Land Invaders" express an idea we call luxurious pop. In this project luxury can be found in the aesthetic quality of the design, for example by using glossy materials, sculptural shapes and vibrant colors. Luxury can also mean giving oneself the freedom to explore your desires and fantasies and creating fitting worlds. For us pop describes the idea of bringing diverse inspirational sources into a fresh mix to create emotionally and visually strong images. The idea of luxurious pop was our guiding light while creating the "Love Land Invaders".
Thursday, 07 October 2010 10:15 Written by Tod Seelie
Photos from a recent project I was a part of, the Empire Drive-In installation, which was included in the San Jose Biennial. The project was a "post-society" drive-in theater made of junkyard cars (some stacked two high) with working radios, complete with a neon-lit ticket booth and concession stand. Conceived by Todd Chandler and Jeff Stark, the installation served as both a stage and screening area with films and performances by Dark Dark Dark and Zoë Keating of Rasputina. In addition to helping build and light the installation, I also lurked around during the installation with my camera. Here's a bit of what came of that.
Wednesday, 06 October 2010 16:23 Written by Trippe
Muralist, RIPO emailed over a couple newer mural works. Love his lettering and these pieces.
Your Name Super Size - Near Basel, Switzerland
Madrid, Spain - An old tobacco factory in Madrid seemed like the perfect place to paint a tribute to the classic Optimo Cigars sign that I grew up seeing all over NYC. And even for those people who won't know the context it's at least an Optimistic word. - RIPO
Wednesday, 06 October 2010 11:46 Written by Trippe
Location? Age? Education? Website?
Edinburgh, UK, 22, Edinburgh College of Art, BA (Hons) Drawing and Painting, graduated July of this year., www.matthewdanielswan.com
How would you describe your work to someone?
That’s a tough one; I’d say I make images, mainly through painting and drawings. My work is all character driven and I draw inspiration from a massive range of sources. For my Degree Show, I wrote this about my work... Recent works play on the frenetic visuals of heavily costumed live-action Japanese serials, pulp cartoons and the detritus of consumption as a manifestation of database culture and non-narrative. My work exists through an unapologetic embrace of the above and equally through the spontaneity of the mark making process as an embodiment of a fictitious and absurd arena.... I wrote that right after doing my dissertation (on designer toys and consumerism), It does the job but it’s quite heavy on the rhetoric.
Trenton Doyle Hancock is a massive influence. He had a show in Edinburgh a few years back (‘The Wayward Thinker’ at the Fruitmarket Gallery) and it was incredible. I’m really into the work of Todd Schorr, and Nigel Cooke too, and I’ve been watching a lot of power rangers recently, the really old stuff from the 70’s. I want to reference that in my work, it’s so good!
Cheese burgers or tofu burgers?
Cheese Burgers all the way, with bacon on top, and chocolate/raspberry milkshake on the side.
We wrap up short interviews with artists participating in the show with the mega talented Oliver Vernon who now lives in Northern California.
What were you up to in the year 2000?
My dj friends and I had just built and opened Halcyon in Brooklyn, a dj-lounge/cafe/gallery/mod furnishings shop. I was djing around New York and painting murals in clubs, bars and restaurants. I started doing live paintings at Giant Step parties, which were paid gigs (unheard-of at the time.) Through Halcyon I met a dealer who put me in my first New York group show at the gallery in the Gershwin Hotel as well as the Armory Show.
How has your work changed in the last 10 years?
Painting is a reflection of life, an expression of any given moment in time, it is autobiographical. As times pass and change, so do i and so does the painting. In certain ways I look at what i'm doing now and think that it's basically the same as I was doing 15 years ago, only seasoned and textured with the accumulated experiences of life. The basic principles have remained in tact through the years, but I have pushed evolution in the way I approach and handle the materials, and how the different painting ideas are engaging the surface and each other. I am now much more sensitive to nuance and subtlety, and have a greater consideration for how the different layers are interacting.
*Vancouver based Lucas Soi opens Cradle Stories at The Shooting Gallery in SF on Saturday, Oct 9th. Niall spoke with Lucas and touched on his working method, living and working in Vancouver and how the work in Cradle Stories focuses on suburban teenagers and the dark undertones prevalent.
There’s this excerpt from Life After God by Douglas Coupland that comes to mind when I think about Cradle Stories.
Coupland grew up on the North Shore, and now lives in the same neighborhood as you in West Vancouver: “It was the life of children of children of the children of the pioneers - life after God - a life of earthly salvation on the edge of heaven.”
Oh cool. Growing up in West Van is crazy. It's great, but you definitely grow up with a warped sense of reality; you're totally ignorant to how other people live. It's this weird combo of beach town and retirement community. The only people you find in West Van are babies, teens, MILFs and old people.
The drawings in Cradle Stories depict events in the lives of privileged suburban teens, often in the safety of their own homes. The images have very dark undertones. Are you commenting on the Millennial Generation’s self-destruction?
I think being young, you're closer to conception than to existence. Meaning you're really closer to death than life. If you're fourteen years old, surrounded by your parents who are, say, triple you’re age, you're closer to "just being born" than to "everyday life". So destruction, which is a kind of creation in reverse, is closer to your understanding, maybe? When you're growing up you're always looking backwards, comparing what you can do now to what you couldn't do before. There's not a lot of forward thinking, no matter how many adults are helping you navigate the way. So maybe the darkness that you see in these drawings is just the connection all youths have to that unknown place where we come from, and where we go when we die.
In his mixed media-on-panel paintings and installations, Gregory Ito experiments with 2-dimentional surfaces in an effort to affect viewer's perceptions. Gregory’s visually stunning geometric patterns and intricate constructions inspire a Zen-like calm. He skillfully integrates organic and celestial themes with a hypnotic use of vibrant grades of iridescent color that both assault and soothe the senses. Applying paint in thin layers of pigment highlight the wood's smooth beauty. Gregory received his BFA from the San Francisco Art Institute in 2008. He is Co-Founder of the Ever Gold Gallery, and Co-Founder/Editor of The San Francisco Arts Quarterly (SFAQ). He currently works and lives in San Francisco.
I'm not sure how many people are lucky enough to have The San Francisco Giants 3 World Series trophies put on display at their work for the company's employees to enjoy during their lunch break, but that's what happened the other day at Deluxe. So great.
SF skateboarding icons Jake Phelps, Mickey Reyes, and Tommy Guerrero with the 3 SF Giants World Series Trophies
When works of art become commodities and nothing else, when every endeavor becomes “creative” and everybody “a creative,” then art sinks back to craft and artists back to artisans—a word that, in its adjectival form, at least, is newly popular again. Artisanal pickles, artisanal poems: what’s the difference, after all? So “art” itself may disappear: art as Art, that old high thing. Which—unless, like me, you think we need a vessel for our inner life—is nothing much to mourn.
Hard-working artisan, solitary genius, credentialed professional—the image of the artist has changed radically over the centuries. What if the latest model to emerge means the end of art as we have known it? --continue reading
"Six Degrees" opens tonight, Friday Jan 16th (7-10pm) at FFDG in San Francisco. ~Group show featuring: Brett Amory, John Felix Arnold III, Mario Ayala, Mariel Bayona, Ryan Beavers, Jud Bergeron, Chris Burch, Ryan De La Hoz, Martin Machado, Jess Mudgett, Meryl Pataky, Lucien Shapiro, Mike Shine, Minka Sicklinger, Nicomi Nix Turner, and Alex Ziv.
"[Satire] is important because it brings out the flaws we all have and throws them up on the screen of another person," said Turner. “How they react sort of shows how important that really is.” Later, he added, "Charlie took a hit for everybody." -read on
Jacob Magraw will be showing embroidery pieces on cloth along with painted, gouache works on paper --- Rachell Sumpter paints scenes of colored splendor dropped into scenes of desolate wilderness. ~show details
NYC --- A new graffiti abatement program put forth by the police commissioner has beat cops carrying cans of spray paint to fill in and cover graffiti artists work in an effort to clean up the city --> Many cops are thinking it's a waste of resources, but we're waiting to see someone make a project of it. Maybe instructions for the cops on where to fill-in?
The NYPD is arming its cops with cans of spray paint and giving them art-class-style lessons to tackle the scourge of urban graffiti, The Post has learned.
Shootings are on the rise across the city, but the directive from Police Headquarters is to hunt down street art and cover it with black, red and white spray paint, sources said... READ ON
SAN FRANCISCO --- The Headlands Center for the Arts is preparing for their largest fundraiser of the year set to go down on June 4th at SOMArts here in the city. Art auction, food, drinks, live music, etc and all for helping to support a great institution up in the Marin Headlands. ~details
ABOUT HEADLANDS Headlands Center for the Arts provides an unparalleled environment for the creative process and the development of new work and ideas. Through a range of programs for artists and the public, we offer opportunities for reflection, dialogue, and exchange that build understanding and appreciation for the role of art in society.
We haven't been featuring many interviews as of late. Let's change that up as we check in with a few local San Francisco artists like Kevin Earl Taylor here whom we studio visited back in 2009 (PHOTOS & VIDEO). It's been awhile, Kevin...
If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade's Snake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows.
Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.
Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.
Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.
Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.
San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.
Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.
Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.
The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.
With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding
I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle
Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.
Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.
For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.
Material published on FECAL FACE DOT COM online service is copyrighted by Fecal Face or its licensors, including the originating wire services. Such material is protected by U.S. and international copyright laws and treaties. All rights reserved.
Users of the Fecal Face online service may not reproduce, republish or redistribute material found on the web site in any form without the express written consent of the copyright holder.