Friday, 30 July 2010 10:20 Written by Alex Braubach
Shalo P is a SF based audio-visual artist who recently exhibited a selection of 14 drawings at Ever Gold Gallery coinciding with the recent release of his self-published “LOVE IS SUCH A DANGEROUS GAME”. The zine, containing work created in a two year period chronicles memories, longing and catastrophic situations in post-modern copy/past collage fashion. They're meticulously wild drawings and really deranged ones at that. The zine comes in two limited versions and are available at the Ever Gold as long as supplies last. It's an absolute gem, so make sure you get yourself a copy. It’s probably the best $8 I’ve ever invested. -Alex Braubach
AMB: I’ve known you since our school days at SFAI and had plenty of opportunities to see your work evolve in the past years. It’s really interesting to see how you have developed from "The Tormentors" paintings you exhibited at Meridian Gallery years ago to what your up to with your video-based performances at New Langton and elsewhere. Your current show at the Ever Gold is an exhibit of drawings. It’s like you’ve come full circle with “Love Is Such A Dangerous Game”. Please describe your current work, the drawings, and how they relate to your previous work.
SP: The work is a barrage of symbols and signs. It’s dense stuff that also seems fit to just be “in the moment”, not only as some mutilation of the bizarre nature of things but also embracing the ways of seeing to varying degrees. You know, as drawings, comics strip and other visual forms. My current works are like celebrations to living at the start of a very weird age.
My conceptual framework hurtles into these different directions and they always seem organic and mine. I’m producing floorshows and farewell concerts with the FRIENDSHIP FRIENDS FOREVER (rainbow band), making videos under the TELEVISION FOR GHOSTS / 2084 FLOORSHOW umbrella, and making images that relay the totemic themes behind all the other work. I shuffle around in formats but the big difference is how close they are to me, personally.
Before I moved to SF I was just a writer, and words just made so much sense to me. Then they seemed phony, manipulative and limited in a world with hypertext in it, a world with so much goddamn subtext to what was lurking under in it’s big storm of changes, in its unconscious birthing of memes. Words were meaningless in the face of the connections between them, in the changing face of how books were produced, in the questions concerning the changes in information retrieval itself. This was big to me - the new ways of experiencing “stuff”, from how we communicated these changes to the part that images play with culture and memory. So I went from writing dialogues to making data maps.
Then I got into imagery again, especially the Medusa, the representation of the incomprehensible. That’s what got me into The Tormentors – relationships - the walls between things breaking down. It was car crashes. Have you ever seen one? It's like that Raymond Carver story "Popular Mechanics", it's a raw moment of chance and horrible corrupted beauty. Things change irrevocably. Well, the drawings... They're my landscape of these feelings - the innate vile beauty of car crashes, the taste of sweat, the medusa's gaze, sexual fantasies, self representation, time and memory - that whole gag. What's the personal side of a good sinner?
AMB: Freddy Krueger.
SP: Hey man, are you going put some cool hyperlinks?
They're hosting a closing show this Sunday, August 1st with bands playing: Melted toys, Psychic handbook, Speculator, and GDB (6-8:30pm). Below are some photos of the show... Check the video of Charles Linder cutting off the jaws of 3 wild boar heads that he had in his freezer for a few months after hunting them in northern California.
Using hack saw on the boars.
End of performance by Charles Linder
At the end of the opening of Charles Linder’s solo show at Ever Gold Gallery “Good Cop / Bad Cop”
Charles asked us into the back room to watch as he commenced to saw and cut the bottom jaws off of 3 wild boar heads that he had in his freezer for a few months after hunting them in northern California. They were defrosting in the back room / project space of our gallery during the opening.
It took him about 30 minutes to do all 3 heads . We had all been there drinking since the reception started at 3 at it was about 9:30 at this point.
It was a very intense performance and a messy one.
Charles eats the whole pig when he hunts them and uses the teeth to make jewelry.
All the taxidermies in the front room are found Taxidermies and Charles does not support taxidermies of animals.
“Good Cop / Bad Cop”
are for sale through Ever Gold
Words are tricky, I'm never sure about how to describe my work. I
actually kinda suck at that.. Well, I think there are both psychedelic
and gothic vibes to it. It is colourful and filled up with dark
figures. People often find it mystical, poetic and mysterious. There
is obviously a certain feeling that refers to magic, tales, some kind
of twisted romanticism maybe.. Recently I've been trying to work on
less narrative compositions, focusing a little more on pure shapes and
All done with paper cutouts. It's easy to look at and think illustrator or something, but no, these are all hand done and done very well. -Fecal Face.
Black Sabbath, French director Philippe Garrel, Pre-Raphaelites,
Edgar Allan Poe, Edvard Munch, haunted houses, Kenneth Anger, weird
psychedelic shit, Gerhard Richter, Maya Deren, Symbolists, Only
Theater Of Pain by Christian Death, Jean Rollin movies, Alice Cooper,
60's hippie art and music posters, Ash Ra Tempel, Sol LeWitt.
Thursday, 29 July 2010 09:04 Written by Van Edwards
Just like baseball cards from the 60s-80s, these chipboard card stock trading cards wrapped in and the much-loved wax paper come equipped with waxy bubble gum and each pack is filled with cards featuring work by a number of artists. I was surprised that besides a few, I had little idea who these people were (complete roster here). Seems a majority of artists are involved in the art toy scene/ comic influenced... I'm not much of a collector of stuff (small apartment) and not into the whole art toy thing, but maybe you are. For what they are, they do a good job. They're just like classic baseball cards I collected as a kid. Might be more interested if there were more artists I was familiar with, but again, they may be artists you know and enjoy and you might be looking for more kitsch to collect.
Boxes, which include 36 packs of cards, run $126 and available here
Excited to see opening band Beach Fossils most of all and ended up being blown away by headliner Bear in Heaven last night at The Rickshaw Stop here in San Francisco. Beach Fossils bounced about like a high school version of New Order or Joy Division. I like the music. It sounds familiar and a huge fan of New Order, but it just lacked originality and a spark that I was hoping for. In between the two acts is Twin Sister who would be the musical child of Bjork, Blond Redhead and Jamiroquai, of all bands. Although, I could hear them, I was behind a few too many tall fellas to see anything but the light show. (Hey Rickshaw Stop, raise the stage a foot for your smaller patrons).
When Bear in Heaven went on, something clicked. The sound is thick and full. You know, let's quote Pitchfork as they wrote about Bear in Heaven when they presented the band "Best New Music" award for their album Beast Rest Forth Mouth: Mostly made up of textural, spacious three- to four-minute pop anthems with towering choruses, BRFM is a welcome reminder that an album doesn't have to be bombastic to feel huge and important. Take out the earbuds and let it fill a space: This is music that's bigger than your iPod—music you'll want to feel all around you. Though not quite coming out of nowhere, BRFM seems like a surprise gift—a striking consolidation of the spiky psych-prog tendencies of their debut into a pop framework. -Pitchfork
Hey, Jon Philpot of Bear in Heaven is a Fecal Face fan (bottom right photo)... See them as they are touring the USA and Europe right now. You won't be disappointed -->Check the dates.
Monday, 26 July 2010 12:22 Written by Roisin Isner
Fresh off their tour of the Southwestern United States (and a bit bloodshot in the eyes), Mister Loveless' newest release, the Three Words EP, hit shelves just a fortnight ago.
Having so effectively channeled an aesthetic which fits comfortably between Echo and the Bunnymen and Joy Division, and despite the relative youth of its members, Mister Loveless resonates strongly with the generation who came up during the 70's and 80's. ~read on
Tell us a little bit about yourself ( where you live, what you do etc...)
I grew up about an hour south of LA and moved up here in 2004 to go to UCLA. Half way through college I started working for Shepard Fairey and am currently gallery manager at Subliminal Projects and do some t-shirt graphics for OBEY Clothing on the side. I live in a crazy house of five girls, which always makes for a good time.
Can you talk a little bit about your content, you seem drawn toward epic nature, Why do you draw what you do and how do you decide what you want to draw next?
It's exciting to me. In an over-stimulated world this is the stuff the holds my attention and surprises me. I'm not sure if it is because I grew up in Southern California and I'm not used to dramatic weather but there is something very shocking but at the same time very beautiful about events like a thunderstorm. My mom and I where in Santa Fe one time when a huge thunderstorm broke out, we were absolutely captivated and watched it for hours like it was TV. As long as it has that ability, I'll be drawn to it. I am also interested in subject matter that is not tied to a specific time period and that can be relevant outside of the context of my personal experience. These naturally occurring events are much bigger than you and I and are something we have no control over. I think that is a nice reminder of our time and place here and understanding why things happen the way they do in the natural world can answer a lot of life's big questions. When I'm deciding what to draw for the larger pieces it is usually based on a current fascination that I've spent a lot of time researching. I pull a lot of photos and create folders for each subject and then it becomes a matter of piecing different elements together to create the image.
This morning we take a closer look at this beautiful painting by San Francisco based Michelle Fleck now showing at FFDG.
Arrangement measures 24"x30", acrylic and aerosol on panel - inquires: info(at)ffdg.net
Michelle Fleck is a painter living in San Francisco. Her work focuses on the relationship between man and the landscape, and the marks we leave on it. Influenced by everyday life in the city, her paintings serve as snapshots of an ongoing intersection of the natural and man-made world. She strives to make work that has a sense of relevancy in a culture driven by a need for change and newness.
Met up with Jeremy Fish last night to catch up and discuss his upcoming solo show opening this August at San Francisco's FFDG. Don't want to give too much away, but the guy is very busy these days. You know the giant pink bronze statue will be built and installed at the corner of Haight and Laguna welcoming those to the Haight (check) in 2015? Going to be incredible.
Check photos from his last San Francisco solo show in 2012, and mark your calendar for August as his next solo show opens at FFDG.
Beering with Fish at his favorite watering hole, Zeitgeist
Sculpture of Jesus as homeless and sleeping on a park bench is "freaking out" the neighbors of this wealthy NC suburb. The sculptor, who has an affinity for street art, created it to remind us that "We believe that that's the kind of life Jesus had," Buck says. "He was, in essence, a homeless person." ~READ ON
I attached a cradle with a spray paint can and other hardware to the drone. I created a series of paintings that are larger, about maybe 3 feet by 3 feet all the way up to 25 feet by 15 feet … And basically, I achieved the perfect air pressure, the perfect weight of the paint and the perfect materials so that the drone didn’t freak out when I attached these mechanisms to it, Katsu said. --continue reading
Speaking of Ocean Beach, if you know, you know, but if you don't... it's not what the average american thinks of when thinking of a California Beach (missing 14 yr. old yesterday). Can't believe we used to drunk naked swim at 3am in the dead if winter... being surfers probably helped us not dying.
Located in the beautiful ocean-side Golden Gate National Recreation Area, the Headlands artists programs support artists of all disciplines—from visual artists to performers, musicians, writers, and videographers—and provide opportunities for independent and collaborative creative work.
We all know that San Francisco is going through aches and (growing?)/ shrinking artist pains these days as San Francisco property values sky rocket due to the tech infestation going on around the entire Bay Area. Maybe you work in tech and love it, but since this is an art website, we're interested to how this is affecting artists trying to make ends meet.
Some galleries have been forced to close due to 300% rent hikes. Many artists have fled to Oakland, LA and NYC in search of affordable housing and a more vibrant art scene... But we wanna know what you think of how it's going here in San Francisco. How are you making it work? What's your take on the art scene or lack there of? Do you think things are on the up and up or down and out here in San Francisco? Are artists a bunch of complainers and every thing looks great or is it curtains for San Francisco's artistic community? Thoughts
The Rena Bransten Gallery is packing up their 77 Geary space to make way for tech company MuleSoft
Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.
San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.
Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.
Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.
The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.
With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding
I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle
Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.
Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.
For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.
Our buddy Flavio Samelo down there in Brazil does all kinds of great work including this recent mural project in downtown Sao Paulo in front of one of the most important modern buildings of Oscar Niemeyer from the 60's, THE COPAN.
John Trippe, founder, owner and curator of FecalFace.com and the Mission District art gallery FFDG, announced today that he will stepping down from daily operations of the two ventures to seek new career opportunities.
Last year we posted photos from another one of Simon Hjermind Jensen's Fire Shelters he's made in Copenhagen. This time around the Copenhagen based artist/ designer created one for the Papay Gyro Nights 2014 way up in on the Orkney Islands in Northern Scotland.
"Salt the Skies" opened on the 21st at FFDG and features this great piece by Mexico City based Curiot (Favio Martinez) whose sold out 2013 show Age of Omuktlans ran at FFDG. His forthcoming solo show is slated for March 2015.
BERLIN --- Project M is a temporary art project with the objective to improve the neighborhood, to push creativity and to connect people. At regular intervals Urban Nation with director Yasha Young invites a group of internationally reclaimed contemporary urban artists to re-design the facade and shop windows of a prominent residential building in Berlin, while it is being reconstructed.
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