Shawn Barber's show Youth of Today opens Friday, July 8th @FFDG (7-10pm). and we're taking limited number of emails to be added to the preview list going live on Wed., July 6th. To inquire, email: info(at)ffdg.net
Los Angeles, CA: Last Saturday June 11, artist Marco Zamora’s New Works opened at the POVevolving Gallery in Chinatown, Los Angeles. The opening reception ran from 6 pm to 10 pm. We arrived around 9 pm, but there were still lots of folks in the gallery checking out Marco’s beautifully detailed pieces. The show runs from June 11 to July 9th.
My work is about contrasts, both in technique and subject matter. Insistingly trying to assimilate happiness, violence and symbolism within each image. I often use both large and small brushes, toggling between faster and more concentrated painting sessions.
I love the playfulness of Asger Jorn, Martin Kippenberger, Picasso and Jeff Koons. The light of Turner and William Hammershøi. The patience of Elina Merenmies. The fleshiness of a Lucien Freud. The energy of a Throw Up or Molinex. The eclecticism of Wim Delvoye. Kristian Bust, when he points out things in a Martin Parr photograph that I did not see before. Old ornaments. Philip Guston's colors, Paul McCarthy's shapes, or Greyson Perry's textiles. Tal R's arrogance, the secrecy and conceit of graffiti - and Katharina Grosse when she paints everything with her huge spray can.
Last night we swung through Jeremy Fish's North Beach studio to have ourselves a look see at his current show before it's crated and shipped out to NYC for the June 23rd opening at Joshua Liner Gallery.
Instead of creating works on what's clicking around in Fish's own head, he gathered a list of artists, skateboarders, rappers, athletes, a stripper, a cop, and a historian whose funny, heartfelt, insanely interesting stories he would record and then illustrate.
The stories run from murder, fights, embarrassing situations, and one focused on a drugged out Keith Haring and some mural drama at a South of Market gay club in the 80s. 30 pieces of work and 30 stories to be heard. The gallery show will feature headphones next to each work where you can hear people like Snoop Dog recount a crazy childhood story involving him pulling a worm out of his pants. Or maybe you wanna hear from Ron English tell a tale from the early Billboard Liberation days.
We'll have more videos next week. In the meantime, let's figure out what's in a hard working artist's fridge... It may surprise you.
San Francisco based Mario Martinez (Mars-1) is in NYC preparing for his show Afterglow which opens tomorrow (5/26) at Jonathan Levine Gallery. Looking good. If you're in that part of the world, get to the show. It's going to be amazing.
Mars-1 working on a massive painting... Remember this one?!
Ian Shults' (Austin, TX) paintings forge fine art and the profane to tell sordid tales of debauchery with a sly sense of humor. His paintings recall a bygone era when the sheen of the American Dream dulled, and subversive behavior of illicit drugs and kinky benders were swept under the rug.
Ian emailed over a few recent paintings that feel more painterly than his earlier works that resonated a bit of a found photograph broken down in Photoshop feel. Nice direction with the newer works, Ian. Dig it.
Novi Sad, Serbia, 47, self taught / no formal education, website: Facebook profile
How would you describe your work to someone?
I do not want to explain anything special to anyone through my abstract works. I ask the viewer to interpret everything the way they want and in their own way. As for experienced viewers, I am interested in their criticism of visual elements.
There are too many, and I do not know where to start with the listing. I am afraid I could confuse someone if I mention only a few that come to my mind right now. Lately, I admire new Chinese artists. They are great. There are, certainly, young American artists who are leading, then Europeans, and others – Asians, Korean, Indian... At my age, for me, younger artists are maybe a little better model than older ones. It is hard to explain why is that so.
Cheese burgers or tofu burgers?
The older I get, the staler food I have to eat. Tofu
HALSEY MCKAY GALLERY opens their first show this Saturday in the town of East Hampton, New York owned by curators Hilary Schaffner and artist Ryan Wallace. For its inaugural exhibition the gallery presents There Is An Ocean, a series of recent works by New York based artist Patrick Brennan. Looks like a great show and what looks to be a great new gallery. ~show details
I live in Milwaukee, I'm 23. I'll be 24 in 3 hours. I received a bachelor's degree in painting from the Milwaukee Institute of Art and Design. My website is www.hueycrowley.com.
How would you describe your work to someone?
I would say that "They are dirty-Disney colored paintings from a tingling, nintendo-influenced dimension." I would mention that they speak to some 70's warped, screwball, acid-shit. Ominous things have always attracted me, and they show up in my work often.
Inevitably, I paint a lot of the Midwest too, but in a way like you'd discover a rained-on, muddy care-bear in someone's backyard that their Doberman was chewing on. Mystical and disturbing things attract me and I try to harness them with paint.
Some artists- Allison Schulnik, Jose Lerma, Kim Dorland, Chris Johanson, Matthew Barney, Christopher Wool, Carroll Dunham, Luis Galvez, Santiago Cucullu, Terence Koh, Basquiat, George Condo…and many more....
Musically-Salem, Juiceboxxx, Liars, Aids Wolf, The Coughs, MTV Riff Raff...
Any artist really, especially ignorant ones because I believe that ignorance is bliss and fun.
Better late than never. We have a lot of content that we're a bit behind with as we play ctach up here at Fecal Face. Keep checking back as we add mucho art-ness. ---->
Check a studio visit we did with Mike back in '08... Shit, that was 3 years ago?! Oh how time flies when you're having artistical fun.
William Emmert, who we interviewed last year, emailed over a few of his newer works we wanted to share with you. William moved down to San Francisco last year from Seattle and has shown his work around town. These works are remakes of posters or other items from his childhood bedroom.
London, UK, Quite a bit but none relating to the Art world, www.njcox.com
The Black Basque, Oil on Linen, 36” x 30”
How would you describe your work to someone?
Given up on that . . I’d whip out my iPhone and show them . . . A picture paints a 1000 words, and all that.
I’m self taught. So much has influenced how/what I paint . . The Transglobe Expedition opened my eyes to solitude and vast landscapes then Yves Tanguy showed me how endless a background can be on canvas. . Vermeer and his peers got my full attention with their eye for detail and precision, Dali made me drool, Max Ernst told me to experiment, but Odd Nerdrum is the Master . . . my art GOD. But influences are everywhere.
Cheese burgers or tofu burgers?
Does a tofu have legs?
Working routine? Music? Time of day?
Up daily at 7am, in the studio by 9.30 and then look and see what I want to work on most. On a good day I can work till 9pm . . on a normal day I wind down around 6pm. Pretty much paint 7 days a week when working towards a show. Love painting in daylight.
I prefer to have about 6 paintings on the go (Unless working on a major large piece) I’m a mood painter and a bit of a butterfly.
Can’t paint without my music . . it creates a cocoon for me to work within and sets and nurtures my mood. Always start with something slow . . .Koop, David Sylvian, Enigma, Lee Oskar, Software, Air, Thievery Corporation etc
Lately I’ve been starting with Koop every morning and when the day grows old, get onto more motivating tunes . . . Steely Dan or Ziggy Stardust for a final push. I have about 2,000 Cds ranging from classical to punk . . so never stuck for good vibes.
Brooklyn based Matt Relkin emailed over this new painting. Love it. Go here for more... and if you wanna know what was going through Matt's mind in Sept '09, check our mini interview with him.
Dying Star 1- acrylic on panel, 6"x6" 2011
This piece’s completion seems especially timely in regards to the passing of Gerard Smith. Seeing so many friends dealing with such grief has been almost unbearable. Today I just wanted to tell every friend I had that I loved them and was there for them if they needed me. I can’t help but reflect on my own life and wonder if I’ve truly become a good person as a result of all that I’ve learned and experienced in my 35 years on Earth. My personal interactions with other human beings are often tinged with cynicism, sarcasm, insincerity, all as a result of my own character flaws. I wonder what would be said about me, what memories people would have of me if I were to die tomorrow? I hate to turn the tragedy of others into my own vain worries, but these thoughts are unavoidable. I believe that there is so much potential good in all people, that there is so much that can still be done in this life to make things better for all creatures. I want my actions to only contribute to the betterment of mankind, yet so much of my time is spent frivolously and selfishly. I have always been aware of my mortality, that everything could end in an instant, and I always hear that ticking in the recesses of my mind, the hands of a clock slowly but surely running out of numbers, and still I cannot say that I’ve spent my life interacting positively with others. At what point do I start to truly believe that I AM good, that when it all comes down to what I’ve done with my time, when it’s all laid out before me neatly and orderly, I’ll look at my life and know that I did the right things? -Matt Relkin
Via Wiki: Gary Baseman (born 1960) is a contemporary artist who works in various creative fields, including illustration, fine art, toy design, and animation. He is the creator of the Emmy-winning ABC/Disney cartoon series, Teacher’s Pet, and the artistic designer of Cranium, a popular board game. Baseman’s aesthetic combines iconic pop art images, pre- and post-war vintage motifs, cross-cultural mythology and literary and psychological archetypes. He is noted for his playful, devious and cleverly named creatures, which recur throughout his body of work.
Interview By: Daniel Rolnik - daniel[at]fecalface.com
How hands on were you with the actual animation of “Teacher’s Pet?”
I was the creator, executive producer and production designer on “Teacher’s Pet.”
During the series and the feature film, I was there every day working with my wonderful crew. Originally, I drew and painted the original characters, backgrounds, etc., to establish the look and feel of the series. Then I oversaw my amazing team of artists to follow and execute the episodes. I worked closely with my director Tim Bjorklund who wanted to make sure the series looked like my hand-painted work, so all the backgrounds were painted on canvas. Tim was an amazing animator. I am not an animator. Our storyboard artists, timing directors, etc. created a template and we sent them oversees to our talented animation studios, who would sent over rough animation. We edited, recorded, and produced music and dialogue here in the States. Does that answer your question?
How does an artist pitch a cartoon to a network?
When I started back in the ‘90s, Nickelodeon actually came to me asking if I had any interesting ideas for an animation series. I lied and said yes, then came up with a dozen ideas to pitch. We actually made two fully animated pilots for the same series “Louie n Louie,” but unfortunately, they weren’t picked up. Then I did decided at that point (after doing well in illustration) that I would concentrate on pitching for TV shows and moved back to LA from New York, where I got an agent who got me meetings with TV executives. How do you pitch a series? You sing and dance and put your heart on your sleeve. Cartwheels help too.
What’s your favorite weird movie?
Does it have to have “weird” in the title? Is “Memento” weird? I love that movie. I love how it is set up and how it is played out. I often feel like the main character in Memento.
Do you often sketch out everything you are going to paint ahead of time or do you leave room for improvisation?
No. I don’t like to sketch things out. I need to feel spontaneous, vulnerable, and organic when I create. The last thing I want to do is work everything out and just follow through. That said, I draw in my sketchbook all the time. I work through my themes in my sketchbooks, but I only use them as an emotional template. So I put ideas down and see what stays with me. But I don’t usually paint those images directly on canvas. In fact, I have about 50 sketchbooks that have been archived recently, made since I moved back to LA in 1997.
Words from Eleanor Harwood Gallery... Paul Wackers presents his third solo show with the gallery. The paintings in his new series explore aura and energy given off by objects in our everyday lives. He presents us with the interiors of rooms and still lifes placed in vitrines and in the outdoors thus drawing our attention to the collections we harbor in our homes and the objects we may encounter outdoors.
We've always enjoyed David Lyle's paintings and was pleased to see these in our inbox this morning. David works in oils, used to live in SF, now in NYC and is represented by a new gallery in London ~ Gallery Nosco
I'm not sure how many people are lucky enough to have The San Francisco Giants 3 World Series trophies put on display at their work for the company's employees to enjoy during their lunch break, but that's what happened the other day at Deluxe. So great.
SF skateboarding icons Jake Phelps, Mickey Reyes, and Tommy Guerrero with the 3 SF Giants World Series Trophies
When works of art become commodities and nothing else, when every endeavor becomes “creative” and everybody “a creative,” then art sinks back to craft and artists back to artisans—a word that, in its adjectival form, at least, is newly popular again. Artisanal pickles, artisanal poems: what’s the difference, after all? So “art” itself may disappear: art as Art, that old high thing. Which—unless, like me, you think we need a vessel for our inner life—is nothing much to mourn.
Hard-working artisan, solitary genius, credentialed professional—the image of the artist has changed radically over the centuries. What if the latest model to emerge means the end of art as we have known it? --continue reading
"Six Degrees" opens tonight, Friday Jan 16th (7-10pm) at FFDG in San Francisco. ~Group show featuring: Brett Amory, John Felix Arnold III, Mario Ayala, Mariel Bayona, Ryan Beavers, Jud Bergeron, Chris Burch, Ryan De La Hoz, Martin Machado, Jess Mudgett, Meryl Pataky, Lucien Shapiro, Mike Shine, Minka Sicklinger, Nicomi Nix Turner, and Alex Ziv.
"[Satire] is important because it brings out the flaws we all have and throws them up on the screen of another person," said Turner. “How they react sort of shows how important that really is.” Later, he added, "Charlie took a hit for everybody." -read on
Jacob Magraw will be showing embroidery pieces on cloth along with painted, gouache works on paper --- Rachell Sumpter paints scenes of colored splendor dropped into scenes of desolate wilderness. ~show details
NYC --- A new graffiti abatement program put forth by the police commissioner has beat cops carrying cans of spray paint to fill in and cover graffiti artists work in an effort to clean up the city --> Many cops are thinking it's a waste of resources, but we're waiting to see someone make a project of it. Maybe instructions for the cops on where to fill-in?
The NYPD is arming its cops with cans of spray paint and giving them art-class-style lessons to tackle the scourge of urban graffiti, The Post has learned.
Shootings are on the rise across the city, but the directive from Police Headquarters is to hunt down street art and cover it with black, red and white spray paint, sources said... READ ON
SAN FRANCISCO --- The Headlands Center for the Arts is preparing for their largest fundraiser of the year set to go down on June 4th at SOMArts here in the city. Art auction, food, drinks, live music, etc and all for helping to support a great institution up in the Marin Headlands. ~details
ABOUT HEADLANDS Headlands Center for the Arts provides an unparalleled environment for the creative process and the development of new work and ideas. Through a range of programs for artists and the public, we offer opportunities for reflection, dialogue, and exchange that build understanding and appreciation for the role of art in society.
We haven't been featuring many interviews as of late. Let's change that up as we check in with a few local San Francisco artists like Kevin Earl Taylor here whom we studio visited back in 2009 (PHOTOS & VIDEO). It's been awhile, Kevin...
If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade's Snake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows.
Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.
Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.
Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.
Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.
San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.
Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.
Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.
The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.
With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding
I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle
Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.
Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.
For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.
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