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Home News LUDO & Kevin Cyr @Jonathan Levine

LUDO & Kevin Cyr @Jonathan Levine
Wednesday, 19 February 2014 10:42
JLG_logo 2


FOR IMMEDIATE RELEASE:

Ludo exhibition at 529 West 20th Street opens Thursday, 2/20 from 6—8pm

Kevin Cyr and Gary Taxali — two exhibitions at 529 West 20th Street open Saturday, 2/22 from 6—8pm
 

Ludo

Ludo
Fruit of the Doom
Solo Exhibition

529 West 20th Street
February 20—March 22, 2014
Opening Reception: Thursday, February 20, 6—8pm


NEW YORK, NY (January 21, 2014) — Jonathan LeVine Gallery is pleased to present Fruit of the Doom, new works by Paris-based artist Ludo in what will be his debut solo exhibition in New York. In conjunction with Fruit of the Doom, Ludo will be creating public street interventions at multiple locations in lower Manhattan and Brooklyn.

Ludo typically works in a limited color palette of black, white and green, evoking the aesthetic of early punk-era graphics. For this exhibition, he has created a series of large-scale works including thirteen paintings on canvas and a resin sculpture measuring six and a half feet tall. The sculpture portrays an oversized bunch of grapes represented in the form of human skulls, and is the artist’s largest sculptural work, to date.

Ludo’s imagery often merges technology with natural elements such as plants or insects. In this exhibition, the artist’s trademark visual puns take the form of produce. His show title Fruit of the Doom, speaks to themes of corporate branding in pop-culture and references GMO engineering in commercial agriculture. The title is also a play on words, with “fruit” referring to the product of mankind. Ludo’s hybridized fruit and vegetable subjects combined with various weaponry and other destructive manmade creations convey an assortment of issues facing contemporary society with dark humor and foreboding undertones.

ABOUT THE ARTIST
Ludo was born in 1976 in Paris, France, where he is currently based. In 1998, he received a Sociology degree from Sorbonne University and in 2000, he received a BFA in Graphic Design from Nuova Accademia de Belle Arti (NABA) in Milan, Italy. Known for his paste-ups and billboard culture jamming on the streets of his native France, the artist has also exhibited his work across Europe and the United States. In 2013, he was included in Ex-Situ, a group exhibition at Centre Pompidou in Paris.
 



Cyr

Kevin Cyr
Right Place, Right Time
Solo Exhibition

529 West 20th Street
February 22—March 22, 2014
Opening Reception: Saturday, February 22, 6—8pm
 

NEW YORK, NY (January 22, 2014) — Jonathan LeVine Gallery is pleased to present Right Place, Right Time, new works by New York-based artist Kevin Cyr in what will be his second solo exhibition at the gallery and largest exhibition to date.

Right Place, Right Time includes new oil paintings on panel in a range of sizes, depicting vehicles seen on the streets of three European cities: Berlin, Brussels and Paris. This series acts as a counterpart to In Praise of Rust, Cyr’s 2012 exhibition, in which he documented old vehicles seen on the streets of New York City—primarily vans and commercial delivery trucks covered in graffiti, rust, dents and other imperfections.

Transportation, travel and exploration—ongoing themes throughout Cyr’s body of work—are particularly prevalent here, as the artist traveled abroad to explore the streets of foreign cities in his research for new subjects to capture. Cyr's fascination with these vans and trucks is based around the idea that they symbolize a place and an ethos. He finds himself discovering the character of each city he visits through its vehicles.

In the artist’s words: "It began as a way for me to examine the uniqueness of a city and how it constantly transforms.” Regarding the European locations: “Renowned for their cultural attractions and historical landmarks, these places are home to thriving street art and working-class communities. These vehicles are the workhorses of the city and their owners seem to go to great lengths to keep them operable. The largest piece in the show, Professeur Gosset, exemplifies this through the broken passenger window secured with cardboard and packing tape—functionality outweighs vanity.”   

ABOUT THE ARTIST
Kevin Cyr was born in 1976 in Edmundston, New Brunswick, Canada and grew up in Madawaska, Maine. In 2000, he received a BFA from Massachusetts College of Art in Boston. Cyr is currently based in New York. His paintings, drawings, sculptures and installations have been exhibited in galleries and museums, internationally. His work is included in the permanent collections of La Fondation d’Art Oxylane in Lille, France and the West Collection in Oaks, Pennsylvania. Cyr has been featured in publications such as Desillusion Magazine, Juxtapoz Magazine, Huffington Post and The New York Times.
 



Taxali

Gary Taxali
Unforget Me
Solo Exhibition

529 West 20th Street
February 22—March 22, 2014
Opening Reception: Saturday, February 22, 6—8pm
 

NEW YORK, NY (January 22, 2014) — Jonathan LeVine Gallery is pleased to present Unforget Me, new works by Toronto-based artist Gary Taxali in what will be his second solo exhibition at the gallery. Unforget Me includes works on paper and panel, including the artist’s largest piece to date.

Taxali creates hand-drawn typography and expressive, cartoon-like figures with layers of printmaking techniques such as rubber stamps and silkscreen. Known for a graphic style and retro aesthetic, his imagery is largely inspired by vintage animation and printed ephemera (comics, advertising and packaging). Taxali works with multiple mediums and utilizes a variety of found materials like old book covers and torn, age-worn, scribbled-on pages.

Taxali describes the exhibition as exploring: “themes of love, separation, isolation, unease, excitement, revelations and absolute joy through the overarching theme of paradoxes. In these works, my characters try to make sense of their situations and the dualities therein. Many of the works contain opposite reactions, both in concept and execution. I’ve also employed the use of non-existent words. An effective way for me to convey all of this is through humor, both light and dark, mocking the flaws of the human condition yet serving as a sweet reminder that nothing should ever be taken absolutely seriously—I try to unforget that every day.”


“Gary Taxali visually blends now with then. His style, inspired by vintage comics and advertising art, is repurposed with the goal of communicating the ironies and comical essence of pop-culture. His work is at once alluring and endearing. Despite the vintage look, he is neither maudlin nor nostalgic. His imagery is rich in satiric verve.”
—Steven Heller    

“Gary Taxali is one of those rare artists whose work is immediately inviting and familiar, yet idiosyncratic and unmistakable. He has created a universe of characters, slogans and motifs reminiscent of ‘50s advertising, comics and painted signs but rendered in a minimal, sophisticated style. Though much of his work appears to be about struggle and disappointment, there is gleeful mischief, beauty and poetic irony as well."
—Shepard Fairey



ABOUT THE ARTIST
Gary Taxali was born in Chandigarh, India in 1968 and raised in Toronto, Canada. In 1991, Taxali graduated from Ontario College of Art and Design University (OCAD). Taxali is an award winning illustrator and his fine artwork has been exhibited in galleries in the United States and Europe as well as museums such as the Whitney Museum of American Art in New York and the Contemporary Art Museum in Rome. In 2011, two books of his work were released: Mono Taxali, published by 279 Editions, and I Love You, OK?, published by teNeues. In 2012, The Royal Canadian Mint released a special edition of six 25¢ coins which feature Taxali’s artwork and typography.

ABOUT JONATHAN LEVINE GALLERY
Jonathan LeVine Gallery is committed to new and cutting edge art. Our roots go back to 1995, when Jonathan’s life-long participation in punk and underground music grew into a curatorial experiment with the visual culture that surrounded him. We moved to Chelsea in 2005, with an eye towards honoring and connecting with the history and context of Post War art. We contribute to the dialogue by challenging the conventions of the canon – exploring the terrain of the high/low and everything in between. Jonathan LeVine Gallery is located at 557C West 23rd Street and 529 West 20th Street, New York, NY 10011. For further information, please visit: www.jonathanlevinegallery.com, email: info@jonathanlevinegallery.com or call: 212-243-3822.

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contact FF

Gone Fishin'
Tuesday, 13 October 2015 11:39

I don't think at this point it needs to be written since the last update to Fecal Face was a long time ago, but...

I, John Trippe, have put this baby Fecal Face to bed. I'm now focusing my efforts on running ECommerce at DLX which I'm very excited about... I guess you can't take skateboarding out of a skateboarder.

It was a great 15 years, and most of that effort can still be found within the site. Click around. There's a lot of content to explore.

Hit me up if you have any ECommerce related questions. - trippe.io


 

SF Giants' World Series Trophy & DLX
Wednesday, 04 March 2015 17:21

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IMG_9585_sm

SF skateboarding icons Jake Phelps, Mickey Reyes, and Tommy Guerrero with the 3 SF Giants World Series Trophies


 

Alexis Anne Mackenzie - 2/28
Wednesday, 25 February 2015 10:21

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a_m


 

The Death of the Artist—and the Birth of the Creative Entrepreneur
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When works of art become commodities and nothing else, when every endeavor becomes “creative” and everybody “a creative,” then art sinks back to craft and artists back to artisans—a word that, in its adjectival form, at least, is newly popular again. Artisanal pickles, artisanal poems: what’s the difference, after all? So “art” itself may disappear: art as Art, that old high thing. Which—unless, like me, you think we need a vessel for our inner life—is nothing much to mourn.

lead

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17_ms

Work by Meryl Pataky

 

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Ron-Turner

Ron Turner of Last Gasp

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Solidarity
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charlie

 

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###########
 

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park_life

 

NYPD told to carry spray paint to cover graffiti
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nyc_graffitiNYC --- A new graffiti abatement program put forth by the police commissioner has beat cops carrying cans of spray paint to fill in and cover graffiti artists work in an effort to clean up the city --> Many cops are thinking it's a waste of resources, but we're waiting to see someone make a project of it. Maybe instructions for the cops on where to fill-in?

The NYPD is arming its cops with cans of spray paint and giving them art-class-style lessons to tackle the scourge of urban graffiti, The Post has learned.

Shootings are on the rise across the city, but the directive from Police Headquarters is to hunt down street art and cover it with black, red and white spray paint, sources said... READ ON

 

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Wednesday, 16 June 2010 17:39


 

 


 

 

 

Alison Blickle @NYC's Kravets Wehby Gallery

Los Angeles based Alison Blickle who showed here in San Francisco at Eleanor Harwood last year (PHOTOS) recently showed new paintings in New York at Kravets Wehby Gallery. Lovely works.


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Peter Gronquist @The Shooting Gallery

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Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.


Gator Skater +video

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Ferris Plock Online Show Now Online as of April 25th

5 new wonderful large-scale paintings on wood panel are available. visit: www.ffdg.net


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BANDES DE PUB / STRIP BOX

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AJ Fosik in Tokyo at The Hellion Gallery

Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.


Ferris Plock - Online Show, April 25th

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GOLD BLOOD, MAGIC WEIRDOS

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John Felix Arnold III on the Road to NYC

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FRENCH in Melbourne

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Henry Gunderson at Ever Gold, SF

Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.


Mario Wagner @Hashimoto

Mario Wagner (Berkeley) opened his new solo show A Glow that Transfers Creativity last Saturday night at Hashimoto Contemporary in San Francisco.


Serge Gay Jr. @Spoke Art

The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.


NYCHOS Mural on Ashbury and Haight

NYCHOS completed this great new mural on the corner of Haight and Ashbury in San Francisco on Tuesday. Looks Amazing.


Sun Milk in Vienna

With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding


"How To Lose Yourself Completely" by Bryan Schnelle

I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle


Tyler Bewley ~ Recent Works

Some great work from San Francisco based Tyler Bewley.


Kirk Maxson and Alexis Mackenzie at Eleanor Harwood Gallery

While walking our way across San Francisco on Saturday we swung through the opening receptions for Kirk Maxson and Alexis Mackenzie at Eleanor Harwood Gallery in the Mission.


Jeremy Fish Solo Show in Los Angeles

Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.


The Albatross and the Shipping Container

Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.


The Marsh Barge - Traveling the Mississippi River from Minnesota to the Gulf of Mexico

For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.


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