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Home Opening Photos Josh Keyes @Jonathan Levine

Josh Keyes @Jonathan Levine
Written by J.L. Schnabel   
Monday, 25 January 2010 04:39
Josh Keyes is riding a tsunami wave of success. His work has appeared in multiple galleries over the past three years including David B. Smith gallery and Joshua Liner gallery, as well as on the covers of both Hi-Fructose and Juxtapoz within the past 8 months

Josh Keyes - 'Fragment'
Jonathan Levine Gallery
529 West 20th street, 9th floor, New York, New York 10011
January 16, 2010 - February 13, 2010
Words and Photos by J.L. Schnabel
Large views of artwork provided by Jonathan Levine Gallery

---
Josh Keyes is riding a tsunami wave of success. His work has appeared in multiple galleries over the past three years including David B. Smith gallery and Joshua Liner gallery, as well as on the covers of both Hi-Fructose and Juxtapoz within the past 8 months. At the heart of this success is a man focused on reconnecting with nature via his minimalist yet emotive new paintings featured in his solo show 'Fragment' at Jonathan LeVine gallery in NYC.

The ten new works were created in Keyes's signature style; acrylic on 30 x 40 inch wooden panels that show the joining of natural and man made landscapes, floating within blank white space. The diverse wildlife species are often depicted in a context that suggests the contradictions of apocalyptic threat and enlightened transformation. The realistic rendering of the animals serves, as a reminder of the future that these portraits suggest is possible; a world in which people no longer exist. In their stead, wildlife is theoretically able to return to a state of well being, unthreatened by human interference yet living among and within their crumbling relics. While the new work conveys this visual message of hope and redemption, it's anxious undertone of the current state of our environment, its peril and fragility, is what especially speaks to the fears of the viewer.

Rising water levels, graffiti ridden statues and animals in varying landscapes of danger unfold within the panels, each connected by a similar story of survival amidst imminent threat. The animals are reassigned new instincts; natural enemies seek shelter within each other in 'Incubate,' where a wolf curls up within the belly of a reindeer. Species who wouldn't normally meet in nature are found saving one another in 'Dry Spell' and 'Lifted.' Compared to Keyes's past work in this theme, the animals in this new series appear to be adapting to their hybrid environments as they are often seen stepping from asphalt into grass and vice versa. While many animals were depicted on fire before, now they are seen transforming into skeletons, butterflies and smooth driftwood. This transformative element furthers the threads of survival and rebirth in the work, allowing a completion of the natural circle of life.

The near non-existence of man in these isolated planes leaves an unsettling feeling, affirming the knowledge that the planet doesn't need us, that most likely all it's wounds would heal without us. 'Self Portrait As An Old Man' is the only time in Keyes's catalog of work in this continual series that a human appears. He is shown wearing a gas mask and apparently homeless while nature appears more resilient to the blank environment; a bird flutters overhead and a small plant thrives in the child seat of the shopping cart. In this scene, the viewer is seeing a human nurturing and living alongside nature, even as his own relation to it is possibly hazardous, showing a possibility for change. By choosing to place himself within the context of his work, Keyes's is illuminating a personal thread within the mythology of a series that not only appeals to people for it's beauty, but also to their hopes of redemption.

Installation View Josh Keyes

Installation view of Main Gallery Josh Keyes

'Last Kiss' Acrylic on Panel. 40 x 30 inches.

'Dry Spell' Acrylic on Panel. 30 x 40 inches

'Incubate' Acrylic on Panel. 30 x 40 inches.

Detail of 'Incubate'

'Shedding' Acrylic on Panel. 30 x 40 inches.

Installation view.

Installation view.

'Howl' Acrylic on Panel. 30 x 40 inches.

Detail of 'Howl'

Rob, Owner of Philly's Pure Gold Gallery and his lady

Paul Romano and Tara McPherson and Esao Andrews (in background) Photo Adam Wallacavage

Filmmaker Charlie Ahearn and artist David Ellis

Artist Josh Keyes with Joshua Liner

Artists Kevin Bourgeois and Eric White

Crowd shot including Josh Keyes and Saelee Oh

Artists Buddy Nestor, Paul Romano, Rhesha Grosso and Jeremy Clark

Doze Green signing show flyers

Jonathan Levine with Adam Wallacavage

'Hive Mind' Acrylic on Panel. 40 x 30 inches

'Eruption' Acrylic on Panel 30 x 40 inches

In front of 'Hive'

Adam Wallacavage gets his picture taken

Selling Josh Keyes prints

Paul Romano, Tara McPherson and Adam Wallacavage

'Shadow' Acrylic on Panel 30 x 40 inches

'Lifted' Acrylic on Panel. 40 x 30 inches

'Self Portrait as an Old Man' Acrylic on Panel. 40 x 30 inches

Filmmaker Charlie Ahearn and Maléna Seldin

Tara McPherson, Sean Leonard and Maléna Seldin

Doze Green installation view

Doze Green installation view

Detail of 'Siddhartha' Doze Green

Doze Green 'FF Operative Series A' mixed media on panel 36 x 36 inches

Doze Green 'Untitled' mixed media on watercolor paper 18 x 24 inches

Detail of 'Inner River' by Saelee Oh . Acrylic, graphite and hand -cut paper on paper.

Installation View.

{moscomment}

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Wednesday, 16 June 2010 17:39


 

 


 

 

 

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